PRESS RELEASE
FOR IMMEDIATE RELEASE
Toni Hafkenscheid
October 28 - December 3, 2005
Opening Reception: Friday, October 28, 7 to 10 pm
Castleberry Hill Arts in the Afternoon: Saturday, October
29, 2 to 5 pm
Marcia Wood Gallery is pleased to announce the
premiere Southeastern solo exhibition of the photographs of Toni
Hafkenscheid. The Dutch-born, Toronto based artist will show work
from his “Landscape” series, a body of work in which
Hafkenscheid has effectively obscured the borders of Objectivist
reality.
Although Toni Hafkenscheid’s “Landscape”
photographs depict actual landscapes, they create the illusion of
model train sets or architectural maquettes. The images are arrived
at solely through the use of in-camera focus and exposure techniques.
Through an extremely shallow depth of field and meticulous lighting
conditions, not to mention the artist’s own gifts of mise-en-scene
and drama, Hafkenscheid has developed an almost magical ability
for shrinking a life-sized and complicated modern world into fascinating,
oblique little dioramas of an idealized American dream.
Hafkenscheid indicates the childhood influence
of toy model sets on his work: how a particular vision of the landscape
in a certain light will remind him of the train sets he played with
as a child, and how playing with that miniature reality could almost
feel like playing God. More significantly, the artist is concerned
with the way photography as an art form is able to affect so convincingly
the appearance of “reality.” Hafkenscheid considers
this virtual sleight of hand to be “the most fascinating aspect”
of the photographic medium. As a consequence, Hafkenscheid says
he finds himself compelled to “explore what constitutes fact
and fiction in a photograph by trying to blur the limits”
between reality and illusion. This idea is what leads Hafkenscheid
to seek out iconic imagery, and to carefully control his camera
angles to avoid the intrusion of any overly specific modern detail.
It is also what leads him to expose his photographs in such a way
as to affect a certain color-saturated look suggestive of aged postcards.
Each element in Hafkenscheid’s photographs
serves to depict an imaginary vision of a bygone American Dream
that has begun to seem impossibly beyond our grasp. Whether this
vision is being shown to us in memoriam, or rather with a measure
of ironic reserve, is left for the viewer to decide.
Born in Rotterdam in 1959, Toni Hafkenscheid graduated
from Rietveld Academy (Amsterdam) in 1989. He lives and works in
Toronto. Hafkenscheid has received several Canada Council and Ontario
Arts Council awards and has exhibited extensively throughout Canada
and in New York, Chicago, Amsterdam and Tokyo. Collections include
the Canadian Museum for Contemporary Photography, Kodak France,
Kodak Netherlands, and the Center for Exploratory and Perceptual
Art (NY).

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