EDUCATION

BFA Painting, Hunter College, New York City
MA Painting, Hunter College, New York City

Director, Mt. Royal School of Art, MICA
Instructor at Yale University 1986-2003

SOLO EXHIBITIONS

2006 New York Studio School Gallery, New York City
2005 Dartmouth College, Hanover, New Hampshire
2002 Marcia Wood Gallery, Atlanta, Georgia
2000 Donahue Sosinski, New York
1999 Moravian College, Pennsylvania
1998 Marcia Wood Gallery, Atlanta, Georgia
1997 Donahue/Sosinski Fine Art, New York City
1995 Millersville University, Pennsylvania
1995 Jan Cicero Gallery, Chicago, Illinois
1994 E.M. Donahue Gallery, New York City
1994 University of Massachusetts at Amherst, Herter Art Gallery
1991 Tenri Cultural Institute of New York, New York City
1989 Tomoko Liguori Gallery, New York City
1988 Tomoko Liguori Gallery, New York City
1985 Jan Cicero Gallery, Chicago, Illinois
1985 Nina Freudenheim Gallery, Buffalo, New York
1983 Susan Caldwell, Inc., New York City
1983 "Russian Abecedary," Jersey City Museum, New Jersey
1981 Susan Caldwell, Inc., New York City
1981 Jan Cicero Gallery, Chicago, Illinois
1980 Susan Caldwell, Inc., New York City
1979 Susan Caldwell, Inc., New York City
1978 Susan Caldwell, Inc., New York City
1976 Susan Caldwell, Inc., New York City
1975 Susan Caldwell, Inc., New York City
1974 Susan Caldwell, Inc., New York City

GROUP EXHIBITIONS

2007
"Luxe, Calme et Volupté," curated by Joanne Mattera, Marcia Wood Gallery, Atlanta
“Land Force,” Sabina Lee Gallery, Los Angeles, (curated by John L. Moore.)
“Agents of Change: Women, Art, and Intellect,” Ceres Gallery, New York, (curated by Dr. Leslie King-Hammond.)

2006
Sundaram Tagore Gallery, New York, New York, two person show
“Dragon Veins,” Contemporary Art Museum, University of South Florida, Tampa
Faculty show, Maryland Institute College of Art, Baltimore

2005
Marcia Wood Gallery, Atlanta in Miami

2006
“Dragon Veins,” Contemporary Art Museum, University of South Florida, Tampa

2004
American Academy of Arts and Letters, NY, NY

2003
Jan Cicero Gallery, Chicago, Illinois

2002
“Drawing Show” Marcia Wood Gallery, Atlanta, Georgia
“Prints from Vermont Studio Center Press,” Robert Hull Fleming Museum, Burlington, Vermont
Andre Zarre Gallery, New York

2001
“Painting Abstraction II” New York Studio School, New York
Montserrat College Art Gallery, MA, three person exhibition
Jan Cicero Gallery, Chicago
Donahue Sosinski, New York
Eastern Connecticut State University

2000
Jan Cicero Gallery, Chicago
Donahue Sosinski, New York
Eastern CT State University

1999
Jan Cicero Gallery, Chicago
"Dimension," Agnes Scott College Atlanta, Georgia,(curator, Cathy Byrd.)
"Drawing in the Present Tense," Art Gallery, Parsons, New York City, travelling:
North Dakota Museum of Art, Grand Forks; Illinois Univ., Normal Ill.
American Academy Invitational, New York City, purchase award

1998
"The Pulled Image," Helen Day Art Center, Stowe, Vermont
Jan Cicero Gallery, Chicago, Illinois
"Revision", NEXUS, Atlanta, Georgia
Donahue/Sosinski Fine Art, New York City
Marcia Wood Gallery, Atlanta, Georgia

1997
"Landscape as Abstraction", James Graham & Sons, New York City
Trans Hudson Gallery, NYC
"After the Fall: Aspects of Abstract Painting Since 1970",
Snug Harbor Cultural Center, New York (curated by Lilly Wei)

1996
"Undoing Geometry", Manhattan Community College, New York City
(curated by Michael Chisolm)
Charles Cowles Gallery, New York City
Montserrat College of Art, Massachusetts
Gallery One, Toronto, Canada, "Inner Landscapes: 16xONE"
Smith College Drawing Exhibit, Northampton, Massachusetts
Jan Cicero Gallery, Chicago, Illinois
E.M. Donahue Gallery, New York City

1995
Yale University, Faculty Works on Paper, New Haven, Connecticut
Andre Zarre Gallery, New York City
Hunter College Art Gallery, New York City
LaVigie, "Art Contemporain", Nimes, France
Jan Cicero Gallery, Chicago, Illinois
The New York Studio School, New York City

1994
Andre Zarre Gallery, New York City
Nina Freudenheim Gallery, Buffalo, New York

1993
Andre Zarre Gallery, New York City

1992
Jan Cicero Gallery, Chicago, Illinois
"Abstract Painting: The 90’s," Andre Emmerich Gallery, New York (curated by Barbara Rose.)
"1x7", Andre Zarre Gallery, New York City

1991
Bennington College, Bennington, Vermont
Nina Freudenheim Gallery, Buffalo, New York

1990
"Works On Paper," Tomoko Liguori Gallery, New York City
(with Gregory Amenoff, Hugh O’Donnell)
Jan Cicero Gallery, Chicago, Illinois (with Peter Plagens)
"Contemporary Prints," Tomoko Liguori Gallery, New York City
"Art On Paper," Weatherspoon Art Gallery, University of
North Carolina, Greensboro

1989
Permanent Collection, Metropolitan Museum of Art, New York City
"Recent Paintings," Andre Zarre Gallery, New York City
"Abstractions, Past and Present," Andre Zarre Gallery, New York City
"Gallery Artists," Tomoko Liguori Gallery, New York City
"Scale, Space, Structure," Ben Shahn Galleries, William Patterson College,
Wayne, New Jersey (curated by Nancy Einreinhofer)
"Contemporary Landscape: Five Views," The Waterworks Visual Arts Center,
Salisbury, North Carolina (curated by John L. Moore; catalogue essay, William Zimmer)
"Drawings," Tomoko Liguori Gallery, New York City

1988
"Four Painters," Andre Zarre Gallery, New York City
"Paintings & Sculpture," American Academy & Institute of Arts and Letters, New York

1987
Concordia College Library Gallery (organized by E. Agee), New York
Yale University Art & Architecture Gallery, New Haven, Connecticut
Nina Freudenheim Gallery, Buffalo, New York
Permanent Collection, Metropolitan Museum of Art, New York City
"New Aspects of Abstraction," Jan Cicero Gallery, Chicago, Illinois
Orion Editions, New York City
Jersey City 10th Anniversary Exhibit, Montclair Art Museum, New Jersey

1986
Jersey City Museum 10th Anniversary Exhibit, New Jersey
"Natural Desire," David Beitzel Fine Arts, New York City
"Constructed in Jersey City: Paintings & Sculpture," Summit Art Center,
New Jersey
Nina Freudenheim Gallery, Buffalo, New York
"Artists at Hunter...," Hunter College Gallery, New York City
(catalogue: M.S. Duffy)

1985
"Painting and Sculpture Today 1984," Indianapolis Museum, Indiana
"The Gathering of the Avant-Garde, The Lower East Side 1948-70,"
Kenkelaba Gallery, New York City
"Abstract Painting, Redefined," a travelling exhibition (curated by Cie Goulet):
Meisel Gallery, New York City; Munson Williams Proctor, Utica, NY; Danforth Museum; Bucknell University; Stonybrook Fine Art Center, Long Island (catalogue: Cie Goulet and Carter Ratcliff)
"Between Painting and Sculpture," Evanston Art Center, Illinois
"Painting 1985," Pam Adler Gallery, New York City
"Constructures: New Perimetrics in Abstract Painting," Nohra Haime Gallery,
New York City (curated by Peter Frank; catalogue, Peter Frank)
"Exuberant Painting," 100 Church Street, New York City
"Abstract Paintings - An Invitational Exhibit," Irit Krygier Gallery, Los Angeles
"A Decade of Visual Arts at Princeton, 1975-85," Princeton University, New
Jersey (catalogue: J. Seawright and H. Senie)

1984
"Gallery Artists," Susan Caldwell Gallery, New York City
Jan Cicero Gallery, Chicago, Illinois
"Painting & Sculpture Today," Indianapolis Museum, Indiana (catalogue: H. Ferrulli.)

1983
"Seven American Artists," Cleveland Museum of Art, Ohio (curated by John L.
Moore; catalogue, John L. Moore)
"Selected Gallery Artists," Susan Caldwell, Inc., New York City
"Selected Large Paintings," Robison Art Gallery, Rutgers U., Newark, New Jersey
Yale School of Art, Yale University, New Haven, Connecticut

1982
"Book Art," D.W. Gallery, Dallas, Texas
"Selected Gallery Artists," Susan Caldwell, Inc., New York City
"The Book as Art," Sarah Lawrence College; Franklin Furnace, NY

1981
"75th Anniversary Benefit Exhibition for the Lighthouse," Susan Caldwell, Inc., New York City
"Paper Work," Nina Freudenheim Gallery, Buffalo, New York
"New Art II: Surfaces/Textures," Museum of Modern Art, New York City
"Recent Acquisitions: Drawings," Museum of Modern Art, New York City
"Four Painters," Jan Cicero Gallery, Chicago, Illinois

1980
"Russia," two-person exhibition with Andy Warhol, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia (curated by Michael Walls.)
"Faculty Exhibit," Sarah Lawrence College, Bronxville, New York

1979
"American Paintings of the 1970’s," a travelling exhibition curated by Linda
Cathcart: Albright-Knox Art Gallery, Buffalo, New York; Newport Harbor Art
Museum, Newport, California; The Oakland Museum, California; Cincinnati
Art Museum, Ohio; Art Museum of South Texas, Corpus Christie, Texas;
Krannert Museum, University of Illinois
"Generation - Twenty Abstract Painters Born in U.S. Between 1929 and 1946,
...... An Invitational Exhibition," Susan Caldwell, Inc., New York City
"Abstraction in the 70’s," Nielsen Gallery, Boston, Massachusetts
"Some Abstract Paintings," William Patterson College, Wayne, NJ
.......(curated by: Barbara Toll, with catalogue)
"Collecting Contemporary Art," J.B. Speed Art Museum, Louisville, Kentucky
"Frances Barth, Drawings, Dan George, Sculpture," Suzanne Lemberg Usdan
Gallery, Bennington College, Bennington, Vermont
"American Painting: The Eighties," Grey Art Gallery, New York University,
New York (curated by: Barbara Rose; catalogue, Barbara Rose, Vista Press)
"First Exhibition," Toni Birckhead Gallery, Cincinnati, Ohio

1978
"San Francisco/Los Angeles/New York: A Three Part Series," (with Donna Dennis and Gordon Matta Clark),
San Francisco Art Institute, California (catalogue by: Helene Fried)
"Eight Abstract Painters," Institute of Contemporary Art, University of
Pennsylvania, Pennsylvania (curated by: Suzanne Delehanty; catalogue, Dore Ashton)
"Talent," Thomas Segal Gallery, Boston, Massachusetts
"Drawing Made Material," Hayden Corridor Gallery, MIT, Cambridge, Massachusetts

1977
"Gallery Group Show," Susan Caldwell, Inc., New York City
"The Geometry of Color," Andre Zarre Gallery, New York City
"Critics’ Choice: Loan Exhibition of Contemporary Paintings from the New York
Gallery Season, 1976-77," The Joe and Emily Lowe Art Gallery, Syracuse University, New York

1976
"Contemporary Art in Atlanta Collections: Paintings and Drawings,"
...... The High Museum of Art, Atlanta, Georgia (catalogue, C.V. Poling)
"Artists at Bennington, Visual Arts Faculty 1932-76," Bennington College Art Museum,
....... Bennington, Vermont (catalogue, E.C. Goosen)

1975
Princeton University Art Museum, faculty exhibit, Princeton, New Jersey
Susan Caldwell, Inc., New York City

1974
Trenton State College, Trenton, New Jersey
"Drawings and Paintings," Susan Caldwell, Inc., New York City
Neilsen Gallery, Boston, Massachusetts
"Women’s Work-American Art ‘74," Philadelphia Civic Center, Pennsylvania

1973
"Three New York Artists," (with Harvey Quaytman and Bernard Kirschenbaum),
.........Corcoran Gallery of Art, Washington, D.C.
Whitney Biennial, Whitney Museum of American Art, New York City
Bard College, Annandale-on-Hudson, New York

1972
Painting Annual, Whitney Museum of American Art, New York City
Warren Benedek Gallery, New York City
"John Baldessari, Frances Barth, Richard Jackson, Barbara Munger, Gary Stephan,
.........Houston Museum of Contemporary Art, Texas (catalogue by: J. Belloli)
The New Gallery, Cleveland, Ohio

1970
Group Print Show, Moore College of Art, Pennsylvania

SET DESIGN:
 
1991 “Tunes,” Pacific Northwest Ballet, Seattle, Washington
1988 “Hide and Seek,” Jennifer Muller/The Works. Guest choreographed by Lynne Taylor-Corbett. Performed at The Joyce Theater, New York City
1988 “ Escape,” Atlanta Ballet. Choreographed by Lynne Taylor-Corbett. Allen Shawn, composer; Judanna Lynn, costumes. Atlanta, Georgia
1984 “ Tunes,” Louisville Ballet. Choreographed by Lynne Taylor-Corbett. Charles Strouse, Composer; Judanna Lynn, costumes. Performed at Louisville Center for the Performing Arts, Kentucky; BCBC, Brooklyn, NY (1985)
 
PERFORMANCES:
 
1970 Performed with Joan Jonas; Judy Padow
1969 Performed in Yvonne Rainer’s “Rose Fractions,” “North East Passing,” and “Trio A, or The Mind is a Muscle, Part I.” Billy Rose Theater, Broadway, New York
1968 Performed in Yvonne Rainer’s “Performance Fractions or Composite.” Lincoln Center Performing Arts Library, New York City
 
AWARDS:
 
2004 American Academy of Arts and Letters Purchase Award
1999 American Academy of Arts and Letters Purchase Award
1995 Joan Mitchell Award
1993 Adolphe and Esther Gottlieb Individual Support Grant
1987 New Jersey State Council on the Arts Grant
1982 National Endowment for the Arts Grant
1977 John Simon Guggenheim Memorial Fellowship
1974 National Endowment for the Arts Grant
1973 Creative Artists Public Service Grant (CAPS)

SELECTED COLLECTIONS:
 
195 Broadway Corporation, New York
Akron Art Institute, Ohio
Albright-Knox Art Gallery, Buffalo, New York
American Can Company, Greenwich, Connecticut
Amerada Hess Corporation, New York
Cameron Iron Works, Houston, Texas
Chase Manhattan Bank, New York
Coudert Brothers, New York
Dallas Museum of Fine Arts, Texas
First National Bank of Houston, Texas
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
Humana Inc., Louisville, Kentucky
IBM Corporation, New York
Isham, Lincoln & Beale, Chicago, Illinois
Lehman Brothers, New York and Chicago
Metropolitan Museum of Art, New York
Midwest Museum of American Art, Elkhart, Indiana
Moravian College, Bethlehem, PA
The Milwaukee Art Center, Milwaukee, Wisconsin
Mobil Oil Corporation, New York
Museum of Modern Art, New York
Paul Haim Foundation, Paris, France
Prudential Insurance Company, New Jersey
Security Pacific National Bank, Los Angeles, California
Swiss Bank Corporation, New York
Tucson Museum of Art. AZ
Whitney Museum of American Art, New York
Wellesley College, Davis Museum, MA
 
BIBLIOGRAPHY:

2006
Wei, Lilly, “Dragon Veins,” (catalogue) USFCAM, Tampa, FL

2005
O’Brien, Barbara, “Being and Belief: The Paintings of Frances Barth,” (catalogue,) Dartmouth College, NH

2002
Cullum, Jerry, “Expanding the Possibilities of Paper,” The Atlanta Journal-Constitution,
Friday, Nov. 15, 2002

2001
O’Brien, Barbara, “Beneath the Surface,” catalogue by Montserrat College of Art

2000
Moos, David, “Dimension,” Art Papers, Mar./Apr.
Naves, Mario, N.Y. Observer Nov.13.
Johnson, Ken, The New York Times, Nov.
Cassidy, Victor, “Prairie Smoke,” ArtNet.com; magazine reviews 9-19-00
Zimmer, Bill, CT.N.Y.Times, Sunday, February 13.

1999
Radycki, Diane, Frances Barth, Geological Time: Paintings,(catalogue), Moravian College, PA
Negroponte, G; Shepherd, R., Drawing in the Present Tense, Parsons School of Art, New York, (catalogue.)
Cullum, Jerry, “Exploring Many Dimensions,” The Atlanta Journal, Friday, September 24, 1999

1998
Byrd, Cathy, “Marcia, Marcia, Marcia,” Creative Loafing (Atlanta), Feb 7, 1998.
Wei, L., “Frances Barth”, Art in America, January 1998, page 99.

1997
Naves, Mario, “Promising Signs”, The New Criterion, June 1997, pages 48—50.
Wilkinson, Jeanne C., “After the Fall: Aspects of Abstract Painting Since 1970”, Review, May 15, 1997.
Robins, Corinne, After The Fall (catalogue), 1997.
Bell, J. Bowyer, Review, May 1, 1997.
Wilkin, Karen, (At the Galleries) Partisan Review I, 1997.
News, Surprise and Nostalgia, (catalogue), Hunter College of CUNY, NY,Leubsdorf Art Gallery.
“A La Vigie — Art Contemporain”, Midi Libre, Lundi 26 Juin.
“Rencontre N° 6 Nimes”, Tendance Sud, Juin.
“Rencontre N° 6” , Lalades, Juin.

1994
Saltz, Jerry, “A Year in the Life: Tropic of Painting”, Art in America, October 1994.
Kalina, Richard, Art in America, October 1994.
Huntington, Richard, “Ideas of Abstraction”, The Buffalo News, Sept. 30.
Smith, Roberta, “Frances Barth,” The New York Times, June 10.
Welish, Marjorie, Frances Barth 1982-93 (catalogue), University of Massachusetts, Herter Art Gallery.

1992
Kramer, Hilton, The New York Observer, December 30-January 6, 1992.
Wilkin, Karen, Partisan Review I, 1992.

1991
Huntington, R., The Buffalo News, May 13.

1989
Thompson, Walter, Art in America, September 1989.
Welish, Marjorie, “Frances Barth-Paintings,” pub. Tomoko Liguori Gallery, NYC.
Moore, John L.and Zimmer, William, Contemporary Landscape:Five Views, (catalogue) The Waterworks Visual Arts Center, North Carolina
Smith, Roberta, “Galleries Paint a Brighter Picture for Women,” The New York Times April 14
Smith, Shaw, “Contemporary Landscape: 5 Views,” New Art Examiner, May.
Davis, Suzanne, “Contemporary Landscape,” Atlanta Art Papers, May/June.
Barringer, Paul, “Landscape of Self vs. Picturesque Conventions - A Study in Contrast at the Waterworks,” The Arts Journal, April.
Maschal, Richard, “Landscapes’ Reflections Troubling,” The Charlotte Observer, February 22.

1987
Albright Knox Art Gallery, The Painting & Sculpture Collection: Acquisitions Since 1972; Buffalo Fine Arts Academy.
Zimmer, William, “Jersey City Keeps Its Museum Going,” The New York Times.
Smith, Helen C., “Ballet Triumphs With Premiere of Vivid ‘Escape’,” The Atlanta Journal & Constitution, October 16.
Smith, Helen C., “Ballet Premiers Elusive ‘Escape’,” The Atlanta Journal & Constituion, October 11.
Watkins, Eileen, “Jersey City Museum Lucky to Reach Its 10th Anniversary,” The Sunday Star-Ledger, January 25.

1986
Watkins, Eileen, The Sunday Star-Ledger, October 5.
Watkins, Eileen, The Sunday Star-Ledger.
Moodie, E., The Jersey Journal.
Zimmer, William, The New York Times, September 28, New Jersey section, page 28.
Duffy, M.S., Artists at Hunter (catalogue), Hunter College Art Gallery, New York.

1985
Lipson, Newsday, December 27.
Heartney, Eleanor, “Abstract Painting Redefined,” Art News, Summer.
Glueck, Grace, The New York Times, March 8.
Giliberto, Tony, “Abstract Painting Redefined,” New Art Examiner, Summer, page 71.
Donnell, Sally, “Frances Barth, Martin Prekop,” New Art Examiner, Summer, page 59.
Heymann, John, “Exhibit at Danforth: Abstract Painting Redefined,” Newswest,
volume 1, no. 6, September 1.
Seawright, J. and Senie, H., A Decade of Visual Arts at Princeton: Faculty 1975-1985
(catalogue), The Art Museum at Princeton University, 1985.
Frank, P., Constructures: New Perimeters in Abstract Painting (catalogue),
Nohra Haime Gallery, New York.
Goulet, Cie and Ratcliff, Carter, Abstract Painting Redefined (catalogue),
Meisel Gallery, New York, 1985.

1984
Woolsey, “Joyous Dance Buoys Finale of New Ballets,” Louisville Times, October 5.
Elson, Martha, “New Works, Premiere Keeping the Louisville Ballet on its Toes,”
Louisville Times, September.
Heilenman, Diane, “Frances Barth’s Perfectionism and Hard Work Show in Her
Set,”Louisville Times, September 30.
Mootz, William, “Louisville Ballet at Kentucky Center for the Arts: ‘Odalisque,’
‘ Courtly Dances,’ and ‘Tunes’,” Louisville Courier Journal, September.
Robins, Corinne, The Pluralist Era, American Art 1968-1981 (Harper & Row, 1984).
Ferrulli, H., Painting and Sculpture Today 1984 (Indianapolis Museum of Art )

1983
Handy, Ellen, “Art Reviews,” Arts Magazine, vol. 57, no. 1, June, page 35.
Lubell, Ellen, “Frances Barth at Susan Caldwell,” Art in America, vol. 71, no. 1,
November, pp 222-223.
Moore, John L., Seven American Artists (catalogue), The Cleveland Museum of Art,
Cleveland, Ohio.

1982
Oresman, Janice, Lehman Brothers Kuhn Loeb Art Collection (catalogue).

1981
Yoskowitz, Robert, “New York Reviews,” Arts Magazine, December, pp. 14-15.
Plagens, Peter, Art in America, November, page 12.
Glueck, Grace, “Choice Spots for a Gallery Hopping Tour of Soho,”
The New York Times, October 16, section C.
Sweet, David, “The Decline of Composition,” Artscribe, no. 28, March 31, pages 18-23.

1980
Yoskowitz, Robert, Review, Arts Magazine, May, page 31.
Walker, J.F., Artscribe, April, pages 16-23.
Goldman, Judith, “Printmaking: The Medium Isn’t the Message Anymore,”
Art News, March, page 82.
Ruhe, B., Art/World, February 15-March 15, page 8.
Poroner, P., Artspeak, February 14, page 2.
Larson, Kay, Review, The Village Voice, February 11.
Merritt, Robert, “Andy Warhol/Frances Barth,” Richmond Times-Dispatch,
January 15, page B-7.

1979
Smith, Roberta, “Portfolio, A Celebration of Women Artists,” Ambiance,
March, pages 84-87.
Frank, P., The Village Voice, January 22, page 69.
Carlson, P., Review, Art in America, May-June, pages 138-139.
Russell, John, The New York Times, February 9, page C-24.
Rose, Barbara, American Paintings: The Eighties (catalogue), Vista Press, 1979.

1978
Lubell, E., Arts Magazine, March, page 31.
Herrera, Hayden, Art in America, July-August, pages 113-114.
Frankenstein, A., San Francisco Chronicle, February 2.
Louie, R., Artweek, February 25.
Danohoe, V., Philadelphia Enquirer, March.
Forman, Nessa, “Eight Abstract Painters in Search of Their Roots,”
The Sunday Bulletin (Philadelphia), March 26, page 8.
Perrone, Jeff, Artforum, March, page 65.
Robins, Corinne, “Frances Barth,” Arts Magazine, March, page 6.
Zimmer, William, Review, The Soho Weekly News, January 19.
Cathcart, Linda, American Paintings of the 1970’s (catalogue),
Albright-Knox Gallery, Buffalo, New York.
Kramer, Hilton, “A Brave Attempt to Encapsulate a Decade,”
The New York Times, December 17.
Kline, Kathy, “Painting of the 70’s Exhibit Has Variety,” Courier-Express,
December 9.
Fried, Helene, San Francisco, Los Angeles, New York (catalogue)
San Francisco Art Institute.
Ashton, Dore, Eight Abstract Painters (catalogue), Institute of Contemporary Art
University of Pennsylvania.

1976
Doty, R., Contemporary Images in Watercolor, Akron Art Institute, 1976.
Kingsley, April, Review, Soho Weekly News, October 21-27, page 17.
Kingsley, April, Review, Soho Weekly News, April.
Wahl, Kenneth, Review, Soho Weekly News, November 4, page 20.
Smith, Roberta, Artforum, January, page 63.
Henry, G., Art News, December, page 122.
Goosen, E.C., Artists at Bennington, Visual Arts Faculty, 1932-1976 (catalogue),
Bennington College Museum of Art, Bennington, Vermont
Poling, C.V., Contemporary Art in Atlanta, Georgia: Paintings and Drawings,1976,
The High Museum of Art, Atlanta, Georgia.

1975
Frackman, Noel, Review, Arts Magazine, December, pages 17-18.

1974
Frank, P., Art News, October, pages 122-123.
Robins, Cronne, Review, Art in America, September-October, page 113.
Segel, J., “Philadelphia: In Her Own Focus,” Art in America, July-August, pages 99-101.
Kingsley, April, Art International, Summer.
Gruen, John, Review, Soho Weekly News, May 9, page 14.
Frank, P., Soho Weekly News, May 2, page 14.
Andre, Michael, Review, Art News, October, page 125.

1973
Bowling, Frank, “A Modest Proposal,” Arts Magazine, February, pages 55-59.
Bowling, Frank, “Revisions Part 2, Color & Recent Painting,” Arts Magazine,
March, pages 47-50.
Belloli, J., John Baldessari, Frances Barth, Richard Jackson, Barbara Munger,
Gary Stephan (catalogue), Contemporary Arts Museum, Houston, Texas, 1972.