Frances Barth CV

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Born 1946 in New York
Education:  BFA Painting, Hunter College, New York
                        MA Painting, Hunter College, New York
                        Director, Mt. Royal School of Art, MICA
 

Solo Exhibitions:
2011                Marcia Wood Gallery, Atlanta GA
2010                Sundaram Tagore Gallery, New York
2009                Hostetter Gallery, Pingry School, Martinsville, New Jersey
2006                New York Studio School Gallery, New York
2005                Dartmouth College, Hanover, New Hampshire
2002                Marcia Wood Gallery, Atlanta, Georgia
2000                Donahue Sosinski, New York
1999                Moravian College, Pennsylvania
1998                Marcia Wood Gallery, Atlanta, Georgia
1997                Donahue/Sosinski Fine Art, New York
1995                Millersville University, Pennsylvania
                         Jan Cicero Gallery, Chicago, Illinois
1994               E.M. Donahue Gallery, New York
                         University of Massachusetts at Amherst, Herter Art Gallery
1991                Tenri Cultural Institute of New York, New York
1989               Tomoko Liguori Gallery, New York
1988               Tomoko Liguori Gallery, New York
1985               Jan Cicero Gallery, Chicago, Illinois
                        Nina Freudenheim Gallery, Buffalo, New York
1983               Susan Caldwell, Inc., New York

                        “Russian Abecedary,” Jersey City Museum, New Jersey
1981                Susan Caldwell, Inc., New York
                        Jan Cicero Gallery, Chicago, Illinois
1980               Susan Caldwell, Inc., New York
1979               Susan Caldwell, Inc., New York
1978               Susan Caldwell, Inc., New York
1976               Susan Caldwell, Inc., New York
1975               Susan Caldwell, Inc., New York
1974               Susan Caldwell, Inc., New York

Selected Group Exhibitions:
2010                “Decameron” New York Studio School Gallery, New York       
                          “New Creative Constructs” Sundaram Tagore Gallery, New York
2009                “Here & Now,” Sundaram Tagore Gallery, New York
                          “Seven Women/Seven Stories: New work from historically significant woman painters,”
                          Sundaram Tagore Gallery, Los Angeles
                          “Extreme Possibilities: New Modernist Paradigms,” The Painting Center, New York (curated
                          by Karen Wilkin)
                          “Centennial Celebration Exhibit,” Newark Museum, selections from the Permanent
                          Collections: American Contemporary Art, Newark, New Jersey
2007                “Land Force,” Sabina Lee Gallery, Los Angeles, (curated by John L.Moore.)
                         “Agents of Change: Women, Art, and Intellect,” Ceres Gallery, New York, (curated by
                         Dr. Leslie King-Hammond.)
                         “click/shift/enter,” Marcia Wood Gallery, Atlanta
                        “Colors,” Sundaram Tagore Gallery, New York
2006              Sundaram Tagore Gallery, New York, New York, two-person show
                        “Dragon Veins,” Contemporary Art Museum, University of South Florida, Tampa
                        Faculty show, Maryland Institute College of Art, Baltimore
2005              Marcia Wood Gallery, Atlanta in Miami
2004              American Academy of Arts and Letters, New York
2003              “Recent Acquisitions,” Payne Gallery, Moravian College, Pennsylvania
                        Jan Cicero Gallery, Chicago, Illinois
2002              “Drawing Show,” Marcia Wood Gallery, Atlanta, Georgia
                        “Prints from Vermont Studio Center Press,” Robert Hull Fleming Museum,
                        Burlington, Vermont
                        Andre Zarre Gallery, New York
2001              “Painting Abstraction II,” New York Studio School, New York
                       Montserrat College Art Gallery, MA, three person exhibition
                       Jan Cicero Gallery, Chicago
                       Donahue Sosinski, New York
                       Eastern Connecticut State University
1999             Jan Cicero Gallery, Chicago
                       “Dimension,” Agnes Scott College Atlanta, Georgia, (curated by Cathy Byrd.)
                       “Drawing in the Present Tense,” Art Gallery, Parsons, New York, (Traveling: North Dakota Museum of Art,                              Grand Forks; Illinois Univ., Normal Illinois.
                      American Academy Invitational, New York, purchase award
                      “The Pulled Image,” Helen Day Art Center, Stowe, Vermont
                      Jan Cicero Gallery, Chicago, Illinois
                      “Revision”, NEXUS, Atlanta, Georgia
                      Donahue/Sosinski Fine Art, New York
                      Marcia Wood Gallery, Atlanta, Georgia
                      “Landscape as Abstraction,” James Graham & Sons, NYC, Trans-Hudson Gallery, NYC
                      “After the Fall: Aspects of Abstract Painting Since 1970”,
                      Snug Harbor Cultural Center, New York (curated by Lilly Wei)
1996            “Undoing Geometry,” Manhattan Community College, NYC (curated by Michael Chisolm)
                      Charles Cowles Gallery, New York
                       Montserrat College of Art, Massachusetts
                       Gallery One, Toronto, Canada, “Inner Landscapes: 16xONE”
                       Smith College Drawing Exhibit, Northampton, Massachusetts
                       Jan Cicero Gallery, Chicago, Illinois
                       E.M. Donahue Gallery, New York
1995              Yale University, “Faculty Works on Paper,” New Haven, Connecticut
                        Andre Zarre Gallery, New York
                        Hunter College Art Gallery, New York
                        LaVigie, “Art Contemporain”, Nimes, France
                        Jan Cicero Gallery, Chicago, Illinois
                        The New York Studio School, New York
1994               Andre Zarre Gallery, New York
                        Nina Freudenheim Gallery, Buffalo, New York
1993               Andre Zarre Gallery, New York
1992               Jan Cicero Gallery, Chicago, Illinois
                        “Abstract Painting: The 90’s,” Andre Emmerich Gallery, NYC (curated by Barbara Rose.)      
                        “1x7”, Andre Zarre Gallery, New York
1991               Bennington College, Bennington, Vermont
                        Nina Freudenheim Gallery, Buffalo, New York
1990               “Works On Paper,” Tomoko Liguori Gallery, NYC (with Gregory Amenoff, Hugh O’Donnell)
                        Jan Cicero Gallery, Chicago, Illinois (with Peter Plagens)
                        “Contemporary Prints,” Tomoko Liguori Gallery, New York
                        “Art On Paper,” Weatherspoon Art Gallery, University of North Carolina, Greensboro
1989               Permanent Collection, Metropolitan Museum of Art, New York
                        “Recent Paintings,” Andre Zarre Gallery, New York
                        “Abstractions, Past and Present,” Andre Zarre Gallery, New York
                        “Gallery Artists,” Tomoko Liguori Gallery, New York
                        “Scale, Space, Structure,” Ben Shahn Galleries, William Patterson College,
                        Wayne, New Jersey (curated by Nancy Einreinhofer)
                        “Contemporary Landscape: Five Views,” The Waterworks Visual Arts Center,
                        Salisbury, North Carolina (curated by John L. Moore; catalogue essay, William Zimmer)
                        “Drawings,” Tomoko Liguori Gallery, New York
1988               “Four Painters,” Andre Zarre Gallery, New York
                        “Paintings & Sculpture,” American Academy & Institute of Arts and Letters, New York
1987               Concordia College Library Gallery (organized by E. Agee), New York
                        Yale University Art & Architecture Gallery, New Haven, Connecticut
                        Nina Freudenheim Gallery, Buffalo, New York
                        Permanent Collection, Metropolitan Museum of Art, New York
                        “New Aspects of Abstraction,” Jan Cicero Gallery, Chicago, Illinois
                        Orion Editions, New York
                        Jersey City 10th Anniversary Exhibit, Montclair Art Museum, New Jersey
1986               Jersey City Museum 10th Anniversary Exhibit, New Jersey
                        “Natural Desire,” David Beitzel Fine Arts, New York
                        “Constructed in Jersey City: Paintings & Sculpture,” Summit Art Center, New Jersey
                        Nina Freudenheim Gallery, Buffalo, New York
                       “Artists at Hunter...,” Hunter College Gallery, New York (catalogue: M.S. Duffy)
1985              “Painting and Sculpture Today 1984,” Indianapolis Museum, Indiana
                       “The Gathering of the Avant-Garde, The Lower East Side 1948-70,”
                       Kenkelaba Gallery, New York                                      
                       “Abstract Painting, Redefined,” (Traveling: Meisel Gallery, New York; Munson Williams                               
                       Proctor, Utica, NY; Danforth Museum; Bucknell University; Stonybrook Fine Art                                         
                       Center, Long Island (curated by Cie Goulet, Catalogue with Carter Ratcliff):

                       “Between Painting and Sculpture,” Evanston Art Center, Illinois
                       “Painting 1985,” Pam Adler Gallery, New York
                       “Constructures: New Perimetrics in Abstract Painting,” Nohra Haime Gallery, New York
                       (curated and catalogue by Peter Frank)
                       “Exuberant Painting,” 100 Church Street, New York
                       “Abstract Paintings - An Invitational Exhibit,” Irit Krygier Gallery, Los Angeles
                       “A Decade of Visual Arts at Princeton, 1975-85,” Princeton University, New Jersey     (catalogue: J.                                            Seawright and H. Senie)
1984              “Gallery Artists,” Susan Caldwell Gallery, New York
                       Jan Cicero Gallery, Chicago, Illinois
                       “Painting & Sculpture Today,” Indianapolis Museum, Indiana (catalogue: H. Ferrulli.)
1983              “Seven American Artists,” Cleveland Museum of Art, Ohio
                        (curated and catalogue by John L. Moore)
                        “Selected Gallery Artists,” Susan Caldwell, Inc., New York
                        “Selected Large Paintings,” Robison Art Gallery, Rutgers U., Newark, New Jersey
                        Yale School of Art, Yale University, New Haven, Connecticut
1982               “Book Art,” D.W. Gallery, Dallas, Texas
                        “Selected Gallery Artists,” Susan Caldwell, Inc., New York
                        “The Book as Art,” Sarah Lawrence College; Franklin Furnace, NY
1981               “75th Anniversary Benefit Exhibition for the Lighthouse,” Susan Caldwell, Inc., NYC “Paper Work,”
                        Nina Freudenheim Gallery, Buffalo, New York
                        “New Art II: Surfaces/Textures,” Museum of Modern Art, New York
                        “Recent Acquisitions: Drawings,” Museum of Modern Art, New York
                        “Four Painters,” Jan Cicero Gallery, Chicago, Illinois
                        “Russia,” two-person exhibition with Andy Warhol, Anderson Gallery, Virginia Commonwealth University,                           Richmond, Virginia (curated by Michael Walls.)
                        “Faculty Exhibit,” Sarah Lawrence College, Bronxville, New York
1979               “American Paintings of the 1970’s,” Traveling exhibition curated by Linda Cathcart:          
                         Albright-Knox Art Gallery, Buffalo, New York; Newport Harbor Art Museum,   Newport, California; The                                    Oakland Museum, California; Cincinnati Art Museum, Ohio; Art Museum of South Texas, Corpus Christie,                          Texas; Krannert Museum, University of Illinois

                         “Generation - Twenty Abstract Painters Born in U.S. Between 1929 and 1946,
                         An Invitational Exhibition,” Susan Caldwell, Inc., New York
                         “Abstraction in the 70’s,” Nielsen Gallery, Boston, Massachusetts
                         “Some Abstract Paintings,” William Patterson College, Wayne, New Jersey
                         (curated and catalogue by Barbara Toll)
                         “Collecting Contemporary Art,” J.B. Speed Art Museum, Louisville, Kentucky
                         “Frances Barth, Drawings, Dan George, Sculpture,” Suzanne Lemberg Usdan Gallery, Bennington College,                          Bennington, Vermont
                         “American Painting: The Eighties,” Grey Art Gallery, New York University,
                         New York (curated by Barbara Rose; catalogue, Barbara Rose, Vista Press)
                         “First Exhibition,” Toni Birckhead Gallery, Cincinnati, Ohio
1978                “San Francisco/Los Angeles/New York: A Three Part Series,” (with Donna Dennis and                          
                        
Gordon Matta Clark), San Francisco Art Institute, CA (catalogue by Helene Fried.
                         “Eight Abstract Painters,” Institute of Contemporary Art, University of Pennsylvania
                          (curated by Suzanne Delehanty; catalogue by Dore Ashton)
                         “Talent,” Thomas Segal Gallery, Boston, Massachusetts
                         “Drawing Made Material,” Hayden Corridor Gallery, MIT, Cambridge, Massachusetts
1977                “Gallery Group Show,” Susan Caldwell, Inc., New York

                        “The Geometry of Color,” Andre Zarre Gallery, New York
                         “Critics’ Choice: Loan Exhibition of Contemporary Paintings from the New York Gallery                          Season, 1976-77,” The Joe and Emily Lowe Art Gallery, Syracuse University, NY
                         “Contemporary Art in Atlanta Collections: Paintings and Drawings,” The High Museum of Art, Atlanta,                                  Georgia (catalogue by C.V. Poling)
                         “Artists at Bennington, Visual Arts Faculty 1932-76,” Bennington College Art Museum, Bennington,                                        Vermont (catalogue by E.C. Goosen)
1975                Princeton University Art Museum, faculty exhibit, Princeton, New Jersey
                        Susan Caldwell, Inc., New York
1974                Trenton State College, Trenton, New Jersey
                         “Drawings and Paintings,” Susan Caldwell, Inc., New York
                        Neilsen Gallery, Boston, Massachusetts
                        “Women’s Work-American Art ‘74,” Philadelphia Civic Center, Pennsylvania
1973               “Three New York Artists,” (with Harvey Quaytman and Bernard Kirschenbaum),
                         Corcoran Gallery of Art, Washington, D.C.
                         Whitney Biennial, Whitney Museum of American Art, New York
                         Bard College, Annandale-on-Hudson, New York
1972                Painting Annual, Whitney Museum of American Art, New York
                         Warren Benedek Gallery, New York
                        “John Baldessari, Frances Barth, Richard Jackson, Barbara Munger, Gary Stephan”
                        Houston Museum of Contemporary Art, Texas (catalogue by J. Belloli)
                         The New Gallery, Cleveland, Ohio
1970                Group Print Show, Moore College of Art, Pennsylvania

 Set Design:
1991                “Tunes,” Pacific Northwest Ballet, Seattle, Washington
1988                “Hide and Seek,” Jennifer Muller/The Works. Guest choreographed by Lynne
                          Taylor-Corbett. Performed at The Joyce Theater, New York
1986                “Escape,” Atlanta Ballet. Choreographed by Lynne Taylor-Corbett. Allen Shawn, composer;                                                          Judanna Lynn, costumes. Atlanta, Georgia
1984                “Tunes,” Louisville Ballet. Choreographed by Lynne Taylor-Corbett. Charles Strouse,                           Composer; Judanna Lynn, costumes. Performed at Louisville Center for the Performing Arts, Kentucky;                                BCBC, Brooklyn, NY (1985)

 Performances:
1976                In “Kristina Talking Pictures” by Yvonne Rainer
1970                Performed with Joan Jonas; Judy Padow
1969               Performed in Yvonne Rainer’s “Rose Fractions,” “North East Passing,” and “Trio A, or The Mind is a Muscle,                          Part I.” Billy Rose Theater, Broadway, New York
1968               Performed in Yvonne Rainer’s “Performance Fractions or Composite.” Lincoln Center Performing Arts                                  Library, New York

Video
2007                “End of the Day, End of the Day,” animation/video, TRT: 09:34 DVD/color and black and
                           white.  A film by Frances Barth
                          This animation/video is set just after 9/11 and involves the daily commute at the end of the day of a                                       husband and wife.  The car ride shows a passenger side view of New Jersey along the Hudson river;with                             voice over dialogue.  The animation is mostly hand drawn, with a digitally animated section that                                             accompanies the opening monologue.

Awards:
2006                Anonymous Was a Woman grant
2004                American Academy of Arts and Letters Purchase Award
1999                American Academy of Arts and Letters Purchase Award
1995                Joan Mitchell Award
1993                Adolphe and Esther Gottlieb Individual Support Grant
1987                New Jersey State Council on the Arts Grant
1982                National Endowment for the Arts Grant
1977                John Simon Guggenheim Memorial Fellowship
1974                National Endowment for the Arts Grant
1973                Creative Artists Public Service Grant (CAPS)
 

Selected Collections:
                        195 Broadway Corporation, New York
                         Akron Art Institute, Ohio
                        Albright-Knox Art Gallery, Buffalo, New York
                        American Can Company, Greenwich, Connecticut
                       Amerada Hess Corporation, New York
                        Cameron Iron Works, Houston, Texas
                        Chase Manhattan Bank, New York
                        Coudert Brothers, New York
                        Dallas Museum of Fine Arts, Texas
                        First National Bank of Houston, Texas
                        Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
                        Humana Inc., Louisville, Kentucky
                        IBM Corporation, New York
                        Isham, Lincoln & Beale, Chicago, Illinois
                        Jersey City Museum of Art, NJ
                        Lehman Brothers, New York and Chicago
                        Metropolitan Museum of Art, New York
                        Midwest Museum of American Art, Elkhart, Indiana
                        Moravian College, Bethlehem, PA
                        The Milwaukee Art Center, Milwaukee, Wisconsin
                       Mobil Oil Corporation, New York
                        Museum of Modern Art, New York
                        Newark Museum, New Jersey
                        Paul Haim Foundation, Paris, France
                        Prudential Insurance Company, New Jersey
                        Security Pacific National Bank, Los Angeles, California
                        Swiss Bank Corporation, New York
                        Tucson Museum of Art. AZ
                        Whitney Museum of American Art, New York
                        Wellesley College, Davis Museum, MA

 Bibliography:

2010                Waltemath, Joan, “Frances Barth, Scale, Economy, Form,” The Brooklyn Rail,
                          February
                          Naves, Mario; Yau,John; Waltemath, Joan; moderator David Cohen
                          “The Review Panel” January 29 live panel review and audio file,
                          National Academy Museum and School of Fine Arts, NY
2009                Wilkin, Karen, “Extreme Possibilities,” (catalogue) The Painting Center, NY
2007                Wood, Marcia, “click/shift/enter,” catalogue 2007,
                          Wilkin, Karen, “At the Galleries,” The Hudson Review, Vol.59 No.4 Winter, pages
                          621-628.
2006                Wilkin, Karen, “Barth Ranges Wide,” Art in America, October 2006, pages 186-87.
                          Wei, Lilly, “Dragon Veins,” (catalogue) USFCAM, Tampa, FL
                          Bennett, Lennie, “East-West Connections,” Tampabay.com Jan.22, 2006
                          Naves, Mario, “Deep Time” New York Observer, internet edition, NYSS show
2005                O’Brien, Barbara, “Being and Belief: The Paintings of Frances Barth,” (catalogue,)
                          Dartmouth College, NH
2002                Cullum, Jerry, “Expanding the Possibilities of Paper,” The Atlanta Journal-Constitution,

                           Friday, Nov. 15, 2002
2001                 O’Brien, Barbara, “Beneath the Surface,” catalogue by Montserrat College of Art
2000                 Moos, David, “Dimension,” Art Papers, Mar./Apr. p.33-4.                     
                           Naves, Mario, N.Y. Observer Nov.13, p.16.
                           Johnson, Ken, The New York Times, Nov.
                           Cassidy, Victor, “Prairie Smoke,” ArtNet.com; magazine reviews 9-19-00
                           Zimmer, Bill, CT.N.Y.Times, Sunday, February 13.
1999                Radycki, Diane, Frances Barth, Geological Time: Paintings,(catalogue),
                          Moravian College, PA
                          Negroponte, G; Shepherd, R., Drawing in the Present Tense, Parsons School of
                          Art, New York, (catalogue.)
                          Cullum, Jerry, “Exploring Many Dimensions,” The Atlanta Journal,
                          Friday, September 24, 1999
1998                Byrd, Cathy, “Marcia, Marcia, Marcia,” Creative Loafing (Atlanta), Feb 7, 1998.
                          Wei, L., “Frances Barth”, Art in America, January 1998, page 99.
1997                Naves, Mario, “Promising Signs”, The New Criterion, June 1997, pages 48—50.

                         Wilkinson, Jeanne C., “After the Fall:  Aspects of Abstract Painting Since 1970”,
                         Review, May 15, 1997, pages 11—12.
                         Robins, Corinne, After The Fall (catalogue), 1997, pages 43—44.
                         Bell, J. Bowyer, Review, May 1, 1997, pages 24—25.
                         Wilkin, Karen, (At the Galleries) Partisan Review I, 1997, page 88.News, Surprise and                                                                        Nostalgia, (catalogue), Hunter College of CUNY, NY,Leubsdorf Art Gallery.
                        “A La Vigie — Art Contemporain”, Midi Libre, Lundi 26 Juin.

                        “Rencontre N° 6 Nimes”, Tendance Sud, Juin.
                        “Rencontre N° 6” , Lalades, Juin.                    
1994               Saltz, Jerry, “A Year in the Life: Tropic of Painting”, Art in America, October 1994, page 93.
                        Kalina, Richard, Art in America, October 1994, page 133.
                        Huntington, Richard, “Ideas of Abstraction”, The Buffalo News, Sept. 30, page 21.
                        Smith, Roberta, “Frances Barth,” The New York Times, June 10, page C-18.
                        Welish, Marjorie,  Frances Barth 1982-93 (catalogue), University of Massachusetts,
                        Herter Art Gallery.
1992               Kramer, Hilton,  The New York Observer, December 30-January 6, 1992.
                        Wilkin, Karen,  Partisan Review I, 1992, page 111.
1991               Huntington, R.,  The Buffalo News, May 13, page C-8.
1989               Thompson, Walter,  Art in America, September 1989, page 209.
                        Welish, Marjorie, “Frances Barth-Paintings,” pub. Tomoko Liguori Gallery, NYC.

                        Moore, John L.and Zimmer, William, Contemporary Landscape:Five Views,
                         (catalogue) The Waterworks Visual Arts Center, North Carolina
                         Smith, Roberta, “Galleries Paint a Brighter Picture for Women,”The New York Times
                         April 14, page C-1
                         Smith, Shaw, “Contemporary Landscape: 5 Views,”  New Art Examiner, May, page 52.
                        Davis, Suzanne, “Contemporary Landscape,”  Atlanta Art Papers, May/June, page 58.
                        Barringer, Paul, “Landscape of Self vs. Picturesque Conventions - A Study in
                        Contrast at the Waterworks,”  The Arts Journal, April, page 17.
                        Maschal, Richard, “Landscapes’ Reflections Troubling,”  The Charlotte Observer, February 22, page D-2.

1987               Albright Knox Art Gallery,  The Painting & Sculpture Collection: Acquisitions Since
                         1972; Buffalo Fine Arts Academy, 1987.
                        Zimmer, William, “Jersey City Keeps Its Museum Going,”  The New York Times, January 4.
                        Smith, Helen C., “Ballet Triumphs With Premiere of Vivid ‘Escape’,” 
                        The Atlanta Journal & Constitution, October 16, pages 1-10.
                        Smith, Helen C., “BalletPremiers Elusive ‘Escape’,” The Atlanta Journal
                        & Constituion, October 11, pages J1-J4.
                        Watkins, Eileen, “Jersey City Museum Lucky to Reach Its 10th Anniversary,” 
                         The Sunday Star-Ledger, January 25, Section 4, page 14.
1986               Watkins, Eileen,  The Sunday Star-Ledger, October 5, Section 4, page 15.
                        Watkins, Eileen,  The Sunday Star-Ledger, December 26, page 60.
                        Moodie, E.,  The Jersey Journal, December 26, page 3.
                        Zimmer, William,  The New York Times, September 28, New Jersey section,  page 28.
                        Duffy, M.S.,  Artists at Hunter (catalogue), Hunter College Art Gallery, New York.

1985               Lipson,  Newsday, December 27.
                        Heartney, Eleanor, “Abstract Painting Redefined,”  Art News, Summer.
                        Glueck, Grace,  The New York Times, March 8.
                        Giliberto, Tony, “Abstract Painting Redefined,”  New Art Examiner, Summer, page 71.
                        Donnell, Sally, “Frances Barth, Martin Prekop,”  New Art Examiner, Summer, page 59.
                        Heymann, John, “Exhibit at Danforth: Abstract Painting Redefined,”  Newswest,
                        volume 1, no. 6, September 1.
                        Seawright, J. and Senie, H.,  A Decade of Visual Arts at Princeton: Faculty 1975-1985                                                                         (catalogue), The Art Museum at Princeton University, 1985.
                        Frank, P.,  Constructures: New Perimeters in Abstract Painting (catalogue),
                        Nohra Haime Gallery, New York.
                        Goulet, Cie and Ratcliff, Carter,  Abstract Painting Redefined (catalogue),
                        Meisel Gallery, New York, 1985.
1984               Woolsey, “Joyous Dance Buoys Finale of New Ballets,”  Louisville Times, October 5.
                         Elson, Martha, “New Works, Premiere Keeping the Louisville Ballet on its Toes,”
                         Louisville Times, September.             
                         Heilenman, Diane, “Frances Barth’s Perfectionism and Hard Work Show in Her

                         Set,”Louisville Times, September 30.
                        Mootz, William, “Louisville Ballet at Kentucky Center for the Arts: ‘Odalisque,’
                        ‘Courtly Dances,’ and ‘Tunes’,”  Louisville Courier Journal, September.
                        Robins, Corinne,  The Pluralist Era, American Art 1968-1981 (Harper & Row, 1984).
                        Ferrulli, H.,  Painting and Sculpture Today 1984 (Indianapolis Museum of Art )
1983               Handy, Ellen, “Art Reviews,”  Arts Magazine, vol. 57, no. 1, June, page 35.
                        Lubell, Ellen, “Frances Barth at Susan Caldwell,”  Art in America, vol. 71, no. 1,
                        November, pp 222-223.                                              
                        Moore, John L.,  Seven American Artists (catalogue), The Cleveland Museum of Art,                                                                       Cleveland, Ohio.
1982               Oresman, Janice,  Lehman Brothers Kuhn Loeb Art Collection (catalogue).
1981               Yoskowitz, Robert, “New York Reviews,”  Arts Magazine, December, pp. 14-15.
                        Plagens, Peter,  Art in America, November, page 12.

                        Glueck, Grace, “Choice Spots for a Gallery Hopping Tour of Soho,”
                        The New York Times, October 16, section C.
                        Sweet, David, “The Decline of Composition,”  Artscribe, no. 28, March 31, pages 18-23.
1980               Yoskowitz, Robert, Review,  Arts Magazine, May, page 31.
                        Walker, J.F.,  Artscribe, April, pages 16-23.
                        Goldman, Judith, “Printmaking: The Medium Isn’t the Message Anymore,”
                         Art News, March, page 82.
                        Ruhe, B.,  Art/World, February 15-March 15, page 8.
                        Poroner, P.,  Artspeak, February 14, page 2.
                        Larson, Kay, Review,  The Village Voice, February 11.
                        Merritt, Robert, “Andy Warhol/Frances Barth,”  Richmond Times-Dispatch,  

                        January 15, page B-7.
1979               Smith, Roberta, “Portfolio, A Celebration of Women Artists,”  Ambiance,
                         March, pages 84-87.
                        Frank, P.,  The Village Voice, January 22, page 69.
                        Carlson, P., Review,  Art in America, May-June, pages 138-139.
                        Russell, John,  The New York Times, February 9, page C-24.
                        Rose, Barbara,  American Paintings: The Eighties (catalogue), Vista Press, 1979.

1978               Lubell, E.,  Arts Magazine, March, page 31.
                        Henry, Gerrit, Art News, March, page 165                   
                        Herrera, Hayden,  Art in America, July-August, pages 113-114.
                        Frankenstein, A.,  San Francisco Chronicle, February 2.
                        Louie, R.,  Artweek, February 25.        
                        Danohoe, V.,  Philadelphia Enquirer, March.
                        Forman, Nessa, “Eight Abstract Painters in Search of Their Roots,” 
                        The Sunday Bulletin (Philadelphia), March 26, page 8.
                        Perrone, Jeff,  Artforum, March, page 65.
                        Robins, Corinne, “Frances Barth,”  Arts Magazine, March, page 6.
                        Zimmer, William, Review,  The Soho Weekly News, January 19.
                        Cathcart, Linda,  American Paintings of the 1970’s (catalogue),
                        Albright-Knox Gallery, Buffalo, New York.
                        Kingsley, April, “All Out is In” Village Voice, Jan 30.
                        Kramer, Hilton, “A Brave Attempt to Encapsulate a Decade,”
                        The New York Times, December 17.
                        Kline, Kathy, “Painting of the 70’s Exhibit Has Variety,”  Courier-Express,
                        December 9.
                        Fried, Helene,  San Francisco, Los Angeles, New York (catalogue)
                        San Francisco Art Institute.

                        Ashton, Dore,  Eight Abstract Painters (catalogue), Institute of Contemporary Art
                        University of Pennsylvania.                                         
1976               Doty, R.,  Contemporary Images in Watercolor, Akron Art Institute, 1976.
                        Kingsley, April, Review,  Soho Weekly News, October 21-27, page 17.
                        Kingsley, April, Review,  Soho Weekly News, April.
                        Wahl, Kenneth, Review,  Soho Weekly News, November 4, page 20.
                        Smith, Roberta,  Artforum, January, page 63.
                        Henry, G.,  Art News, December, page 122.
                        Goosen, E.C., Artists at Bennington, Visual Arts Faculty, 1932-1976 (catalogue),
                        Bennington College Museum of Art, Bennington, Vermont
                        Poling, C.V.,  Contemporary Art in Atlanta, Georgia: Paintings and Drawings,1976,
                         The High Museum of Art, Atlanta, Georgia.
1975                Frackman, Noel, Review,  Arts Magazine, December, pages 17-18.
1974                Frank, P.,  Art News, October, pages 122-123.
                         Robins, Corinne, Review,  Art in America, September-October, page 113.
                         Robins, Corinne, Review, Arts Magazine, September-October
                         Segel, J., “Philadelphia: In Her Own Focus,” Art in America, July-August, pages 99-101.
                        Kingsley, April,  Art International, Summer.
                        Gruen, John, Review,  Soho Weekly News, May 9, page 14.
                        Frank, P.,  Soho Weekly News, May 2, page 14.
                        Andre, Michael, Review,  Art News, October, page 125.

1973               Bowling, Frank, “A Modest Proposal,”  Arts Magazine, February, pages 55-59.
                        Bowling, Frank, “Revisions Part 2, Color & Recent Painting,”  Arts Magazine, March, pages 47-50.
                        Slade, Roy, “Three New York Artists” Corcoran Gallery, Washington D.C.
                        Belloli, J.,  John Baldessari, Frances Barth, Richard Jackson, Barbara Munger,
                        Gary Stephan (catalogue), Contemporary Arts Museum, Houston, Texas, 1972.