Works
  • Joanne Mattera, Tutto 7, 2022
    Joanne Mattera
    Tutto 7, 2022
    acrylic on canvas
    48 x 36 inches
  • Joanne Mattera, Tutto 17, 2022
    Joanne Mattera
    Tutto 17, 2022
    acrylic on canvas
    48 x 36 inches
  • Joanne Mattera, Tutto 16, 2022
    Joanne Mattera
    Tutto 16, 2022
    acrylic on canvas
    48 x 36 inches
  • Joanne Mattera, Tutto 15, 2022
    Joanne Mattera
    Tutto 15, 2022
    acrylic on canvas
    48 x 36 inches
  • Joanne Mattera, Riz 24 , 2020
    Joanne Mattera
    Riz 24 , 2020
    oil on 300-lb Fabriano hotpress
    14.25 x 14.25
  • Joanne Mattera, Pique 1, 2020
    Joanne Mattera
    Pique 1, 2020
    wax emulsion on 300-lb. Fabriano paper
    15 x 11 inches
  • Joanne Mattera, Pique 2, 2020
    Joanne Mattera
    Pique 2, 2020
    wax emulsion on 300-lb. Fabriano paper
    15 x 11 inches
  • Joanne Mattera, Pique 3, 2020
    Joanne Mattera
    Pique 3, 2020
    wax emulsion on 300-lb. Fabriano paper
    15 x 11 inches
  • Joanne Mattera, Pique 4, 2020
    Joanne Mattera
    Pique 4, 2020
    wax emulsion on 300-lb. Fabriano paper
    15 x 11 inches
  • Joanne Mattera, Riz 11, 2020
    Joanne Mattera
    Riz 11, 2020
    oil on 300-lb Fabriano hot press paper
    14.25 x 14.25 inches
  • Joanne Mattera, Riz 15, 2020
    Joanne Mattera
    Riz 15, 2020
    oil on 300-lb Fabriano hot press paper
    14.25 x 14.25 inches
  • Joanne Mattera, Riz 18, 2020
    Joanne Mattera
    Riz 18, 2020
    oil on 300-lb Fabriano hot press paper
    14.25 x 14.25 inches
  • Joanne Mattera, Riz 19, 2020
    Joanne Mattera
    Riz 19, 2020
    oil on 300-lb Fabriano hot press paper
    14.25 x 14.25 inches
  • Joanne Mattera, Riz 29, 2020
    Joanne Mattera
    Riz 29, 2020
    oil on 300-lb Fabriano hot press paper
    14.25 x 14.25 inches
  • Joanne Mattera, Riz 34, 2020
    Joanne Mattera
    Riz 34, 2020
    oil on 300-lb Fabriano hot press paper
    14.25 x 14.25 inches
  • Joanne Mattera, Silk Road 451, 2019
    Joanne Mattera
    Silk Road 451, 2019
    encaustic on panel
    12 x 12 inches
  • Joanne Mattera, Silk Road 452, 2019
    Joanne Mattera
    Silk Road 452, 2019
    encaustic on panel
    12 x 12 inches
  • Joanne Mattera, Silk Road 345, 2017
    Joanne Mattera
    Silk Road 345, 2017
    encaustic on panel
    12 x 12 inches
  • Joanne Mattera, Silk Road 396, 2017
    Joanne Mattera
    Silk Road 396, 2017
    encaustic on panel
    12 x 12 inches
  • Joanne Mattera, Silk Road 335, 2016
    Joanne Mattera
    Silk Road 335, 2016
    encaustic on panel
    12 x 12 inches
  • Joanne Mattera, Chromatic Geometry 27, 2015
    Joanne Mattera
    Chromatic Geometry 27, 2015
    encaustic on panel
    18 x 18 inches
  • Joanne Mattera, Chromatic Geometry 28, 2015
    Joanne Mattera
    Chromatic Geometry 28, 2015
    encaustic on panel
    18 x 18 inches
  • Joanne Mattera, Silk Road 320, 2015
    Joanne Mattera
    Silk Road 320, 2015
    encaustic on panel
    12 x 12 inches
Biography

Joanne Mattera works in a chromatically resonant and compositionally reductive style that she refers to as “lush minimalism.” She has had solo shows in New York City at the Stephen Haller Gallery (1995), OK Harris Works of Art (1996, 2007), and Odetta Gallery (2019), where her 35th career solo, From Dawn to Dusk, took place. She shows regularly with American Abstract Artists in New York City and elsewhere.

 

Writing and curating
In addition to her studio practice, Joanne writes regularly and curates occasionally. Her memoir, Vita: Growing Up Italian, Coming Out, and Making a Life in Art, was published in 2019 by Well-Fed Artist Press in New York City. In a recent interview with Deanna Sirlin in The Art Sectionshe reveals some additional biographical details. Through her Joanne Mattera Art Blog she reports on exhibitions and art fairs in New York City, Miami, and elsewhere.

Curatorial projects include Textility in 2012 at the Visual Arts Center of New Jersey; Summit, which she produced with the institution’s curator, Mary Birmingham; A Few Conversations about Color at DM Contemporary in Manhattan in 2015; and Depth Perception in 2017 at the Cape Cod Museum of Art, Dennis, Massachusetts, which she curated with Cherie Mittenthal in conjunction with the 11th International Encaustic Conference. In 2007 she curated Luxe, Calme, et Volupté , a meditation on visual pleasure, for Marcia Wood Gallery.

 

Collections
Joanne's work is in the collections of the New Britain Museum of American Art, Connecticut; Montclair Art Museum, New Jersey; Connecticut College Print Department; University Collections at the University of Albany; Wheaton College, Norton, Mass.; the U.S. State Department, Washington, D.C.; and institutional and private collections internationally. Her work is included in Geoform, an international online project focused on contemporary geometric abstraction. An illustrated resume can be seen here.

 

 

Joanne is the founder and director emerita of the International Encaustic Conference, an event devoted to a contemporary medium with a historic past. Relatedly, she is the author of the first commercially published book on encaustic in half a century, The Art of Encaustic Painting: Contemporary Expression in the Ancient Medium of Pigmented Wax (Watson-Guptill, 2001).

Joanne divides her time between Manhattan and Massachusetts.

Exhibitions
Press
Publications