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Between Object and Image: Ann Agee, Andrea Clark, Michelle Carla Handel, Sacha Ingber, and Mariana Garibay Raeke

Past viewing_room
17 March - 15 May 2021
  • BETWEEN OBJECT AND IMAGE

     

  • Between Object and Image

    March 17 - May 15, 2021

    curated by Andrea Clark 

     

    BETWEEN OBJECT AND IMAGE showcases work where there is a prevalent shifting between two and three dimensionality such as applying sculptural ideas and materials to the wall or erecting a two dimensional plane into three dimensions.  This exhibition finds and examines the connections between the work of five artists: Ann Agee, Andrea Clark, Michelle Carla Handel, Sacha Ingber, and Mariana Garibay Raeke. 

     

    This exhibition also acknowledges the deluge of digital representation of art over the past 10-15 years, and which we have experienced almost exclusively in this past year of the pandemic. As we swipe through these works on our laptops and handheld devices we experience a constant teetering between the images on our screens and how the works creep toward and engage with two dimensionality. Ultimately the work buzzes within this liminal space. 

     

    • Michelle Carla Handel Los Angeles artist painter Rema Hort Mann Foundation emerging artist grant sculptor between object and image oil painting with ceramic
      Michelle Carla Handel
      Slip, 2021
      oil and ceramic on canvas
      11 x 14 inches

      View more details
    • Andrea Clark porcelain ceramics porcelain painting thin layers drawing ceramic frame Between object and image marcia wood gallery viewing room
      Andrea Clark
      Flower 1 with Frame, 2018, 2021
      porcelain with stoneware frame and porcelain elements, glaze
      16 x 17 1/4 x 2 inches
      View more details
    • Mariana Garibay Raeke sculpture plaster painting abstract Yale Art Mexican artist New York City
      Mariana Garibay Raeke
      Replica, 2019
      paper pulp, plaster, pigment
      9 ½ x 8 ½ x 12 ½ inches
      View more details
    Close
  •  

     

    One may see works in BETWEEN OBJECT AND IMAGE as starting at the flatness of two dimensionality and moving outward into space. The works take flatness and fold it, play with the shape of the rectilinear edge.  Simultaneously, works may start as sculpture and end up on the wall. In Sacha Ingber’s casts, the artist arranges and fixes found and sculpted objects across a single plane, organizing the work to be read as a two dimensional object. 

     

     

  • Artworks

    Sacha Ingber

    Morning Routine, 2019

    “The moment of casting is a way of letting go, like when a cake is in the oven. You’ve orchestrated a recipe with as much specificity as possible, but then it’s time to trust the rest and let it do its thing. It’s also the ultimate form of adhesion; I’m always looking for ways to glue things together, both physically and symbolically. Casting is not so much about the embedding of objects to create a fossil but about controlling a composition and forcing the material to make room for—and to acknowledge—another object or material, and vice versa. The feeling of permanence is great because it has the confidence and material strength to convince that these separate elements came into existence together and belong together.”

     Sacha Ingber in conversation with Hallie McNeill for BOMB Magazine

    Sacha Ingber cast sculpture ceramic found objects wall between object and image, skowhegan sharpe walentas New York artist sculptor

    Click the image to View More Details

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    Similarly, Ann Agee fixes a grid of fifteen rectangular porcelain plates across a welded steel framework in Blue Painting. Agee is known for challenging the hierarchy of decorative and fine art materials and we can see in Blue Painting's presentation that in at least one way this challenge is construed through her organization of space. The work is layered atop a mulberry paper mural of an interior, what Agee calls a 'print' of the objects in her studio. Amidst this layering space collapses: the ceramic plates flatten into the mural, the mural becomes part of Blue Painting.

     
     
     
  • The work on paper behind is stenciled acrylic on mulberry paper. The image is of my studio sink, and all the stuff around related to making things (my work). It was part of a big installation I did at the Brooklyn Museum in a show called 'Playing House', curated by Betty Woodman and Barry Harwood in 2011-12. Four artists showed work in the museum's period rooms: Anne Chu, Mary Lucier, Betty Woodman and myself. I chose the ornately decorated Victorian parlor and library (The Milligan Parlor). I made the 'print' to cover all the walls and then rehung it with 'Blue Painting' for my 2012 exhibition 'The Kitchen Sink' at Locks Gallery in Philadelphia.   -Ann Agee

    photographs by Joseph Hu

    Ann Agee, Blue Painting, 2012 (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    (Larger version of this image opens in a popup).
    Ann Agee
    Blue Painting, 2012
    porcelain, welded steel
    21 x 34 x 2 1/2 inches
  • Andrea Clark porcelain ceramics porcelain painting thin layers drawing ceramic frame Between object and image Marcia Wood gallery viewing room

    Click the image to View More Details

    Artworks

    Andrea Clark

    Untitled, 2021

     

     

    Andrea Clark assigns ceramics exclusively to the wall, interchanging ceramic as sculptural and paint material by using pigmented porcelain slip to create 'porcelain paintings' with ceramic frames.  The work is created by building up thin layers of pigmented liquid porcelain so that it emerges from the kiln as shell-like paper. The line elements are stacks of pigmented porcelain cut into strips and arranged atop the porcelain paper.  

     

     

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    Frequent artistic devices, such as the use of grids, folds, and pattern fluctuate between alluding to flatness and fullness as a way of connecting space and acknowledging the shift between two and three dimensionality.  There is a persistence in treating material in a sculptural manner, with an ever present recognition of the object's relationship to the body.

    "I like how images and objects can inform and activate each other while entering our mental and physical space.  The difference between images and objects for me has to do with the way the dimensions of an object mirror those of our own bodies."

     -Mariana Garibay Raeke in conversation with Heidi Hahn about shifting between photography and her sculpture practice

    What may be seen as abstracted figures in Garibay Raeke's Right Round transect multiple planes, creating a sense of  moving body parts that are embracing yet distinct. When looking at Handel's Soft Recall, we can feel the light wooly weight of the string in our palm.

     

     

     

     

    • Mariana Garibay Raeke figurative abstract acrylic painting abstract Yale Art Mexican artist New York City
      Mariana Garibay Raeke
      Right Round, 2018
      acrylic on wood panel
      14 x 11 inches
      View more details
    • Michelle Carla Handel Los Angeles artist painter Rema Hort Mann Foundation emerging artist grant sculptor between object and image oil painting with ceramic
      Michelle Carla Handel
      Soft Recall, 2021
      oil and ceramic on canvas
      8 x 8 inches
      View more details
    Close
  •  

     

    “For me, pattern is pleasure and a way of solving a spatial issue with a painting device” 

     -Michelle Carla Handel

     

     

    • Michelle Carla Handel Los Angeles artist painter Rema Hort Mann Foundation emerging artist grant sculptor between object and image oil painting with glazed ceramic, string, grid, tip
      Michelle Carla Handel
      Tip, 2021
      oil and glazed ceramic on canvas
      11 x 14 inches
      View more details
    • Sacha Ingber drawing between object and image, skowhegan sharpe walentas New York artist sculptor
      Sacha Ingber
      Sunset Park, 2016
      gouache, ink, and colored pencil on paper
      11 x 17 inches
      View more details
    Close
  •  

     

    The fold is perhaps the most slippery device engaged in these works as it allows for two sides to be together at once without defining the point of connection, as in the two sides of a coin.  Its use points to the artists' concern with depicting multiple sides of things and acknowledging the 'flip' between two-dimensional and three-dimensional space.  It is employed as a delicate gesture in the twisted porcelain strip in Clark's elaborate ceramic frame Creepin and in the undulating strokes of Garibay Raeke's Holding Light (iv) whose rounded movement brings to mind a falling band of soft caramel.  In Solaris and Vista with dry air, one can image the material beginning as a flat plane that is folded and erected into space.   

     

    “When I’m working on a piece, I try to strike a balance between it being able to be read as either an image or an object. Or both. I try to get to that moment where the work could teeter toward one direction or the other, but stays unstable right in between. That space feels very psychologically charged to me, similar to the way that a memory can exist as imagery in your mind but also as a tangible, visceral, physical feeling.”

    -Sacha Ingber in conversation with Hallie McNeill for BOMB Magazine

     

     

     

    • Andrea Clark Creepin, 2018, 2021 porcelain, stoneware 20 ½ x 20 x 3 ¼ inches
      Andrea Clark
      Creepin, 2018, 2021
      porcelain, stoneware
      20 ½ x 20 x 3 ¼ inches
      View more details
    • Mariana Garibay Raeke watercolor painting abstract Yale Art Mexican artist New York City
      Mariana Garibay Raeke
      Holding Light (iv), 2020
      watercolor and sumi ink on Arches paper
      16 x 12 inches
      View more details
    • Sacha Ingber ceramic sculpture ceramic found objects wall between object and image, skowhegan sharpe walentas New York artist sculptor room swim
      Sacha Ingber
      Vista with dry air, 2018
      glazed earthenware, epoxy clay, acrylic paint
      18 x 10 x 11 ¼ inches
      View more details
    • Mariana Garibay Raeke sculpture plaster painting abstract Yale Art Mexican artist New York City
      Mariana Garibay Raeke
      Solaris, 2019
      paper pulp, plaster, acrylic, pigment
      11 ½ x 14 x 11 inches
      View more details
    Close
  •  

     

    The grid is a constant hum among these works; it is a ready tool as a framework on which things can hang and cohere objects to a two-dimensional viewing plane.  In Mariana Garibay Raeke’s BGM, the grid acts as an intermediary for texture - that thing which creeps into three dimensional space and can be felt by a body - while vigilantly clinging to its facade.  

     

     

     

    • Mariana Garibay Raeke sculpture plaster painting abstract Yale Art Mexican artist New York City
      Mariana Garibay Raeke
      BGM (Black/Green/Magenta), 2016
      paper, plaster, pigment
      15 ½ x 10 x 1 ¼ inches
      View more details
    • Sacha Ingber drawing between object and image, skowhegan sharpe walentas New York artist sculptor
      Sacha Ingber
      Untitled, 2016
      gouache, ink, and colored pencil on paper
      11 x 17 inches
      View more details
    • Michelle Carla Handel Los Angeles artist painter Rema Hort Mann Foundation emerging artist grant sculptor between object and image oil painting with ceramic, grid
      Michelle Carla Handel
      Squeeze, 2021
      oil and ceramic on canvas
      14 x 11 inches
      View more details
    Close
  •  

     

    The interest in shifting between two and three dimensionality is apparent in the artists' layering and translating of materials and processes, as in Agee's ceramic Blue Painting atop her paper mural.  In Garibay Raeke’s plaster wall piece Halite (2017), the artist describes the piece as a plaster ‘print’ that was cast into a hand sculpted mold. In Andrea Clark’s 'porcelain paintings' (Untitled and Warren’s Pond (night, Winter) ) ceramic is used like paint to become a shell-like porcelain paper.  Handel uses ceramic, paint, and collected materials with impartiality. Materials confuse and mimic one another without seeking to be identified; they slowly emerge to the seeker’s delight.  

     

     

     

    • Mariana Garibay Raeke wall sculpture plaster printmaking painting abstract Yale Art Mexican artist New York City
      Mariana Garibay Raeke
      Halite, 2017
      plaster, pigment
      14 x 12 x 1 inches
      View more details
    • Michelle Carla Handel Los Angeles artist painter Rema Hort Mann Foundation emerging artist grant sculptor between object and image oil painting with glazed ceramic, string, grid, selife
      Michelle Carla Handel
      A More Perfect Me, 2021
      oil, string, and glazed ceramic on canvas
      11 x 20 inches
      View more details
    • Andrea Clark porcelain ceramics porcelain painting thin layers drawing ceramic frame Between object and image marcia wood gallery viewing room
      Andrea Clark
      Warren's Pond (night, Winter), 2021
      porcelain
      3 1/2 x 2 5/8 x 1/16 inches
      View more details
    Close
  • List of Works

    • Michelle Carla Handel Los Angeles artist painter Rema Hort Mann Foundation emerging artist grant sculptor between object and image oil painting with ceramic
      Michelle Carla Handel
      Slip, 2021
      oil and ceramic on canvas
      11 x 14 inches

    • Andrea Clark porcelain ceramics porcelain painting thin layers drawing ceramic frame Between object and image marcia wood gallery viewing room
      Andrea Clark
      Flower 1 with Frame, 2018, 2021
      porcelain with stoneware frame and porcelain elements, glaze
      16 x 17 1/4 x 2 inches
    • Mariana Garibay Raeke sculpture plaster painting abstract Yale Art Mexican artist New York City
      Mariana Garibay Raeke
      Replica, 2019
      paper pulp, plaster, pigment
      9 ½ x 8 ½ x 12 ½ inches
    • Sacha Ingber cast sculpture ceramic found objects wall between object and image, skowhegan sharpe walentas New York artist sculptor
      Sacha Ingber
      Morning Routine, 2019
      glazed earthenware, vinyl, hydrocal, pigment, Urethane, towel ring
      34 x 36 x 1 inches
    • Ann Agee blue and white sculpture porcelain plates Locks Gallery DC Moore Gallery PPOW Gallery Marcia Wood Gallery Between Object and image mulberry paper mural dish rack domestic objects interior craft Betty Woodman
      Ann Agee
      Blue Painting, 2012
      porcelain, welded steel
      21 x 34 x 2 1/2 inches
    • Andrea Clark porcelain ceramics porcelain painting thin layers drawing ceramic frame Between object and image Marcia Wood gallery viewing room
      Andrea Clark
      Untitled, 2021
      porcelain
      13 1/2 x 14 3/4 x 3/8 inches
    • Mariana Garibay Raeke figurative abstract acrylic painting abstract Yale Art Mexican artist New York City
      Mariana Garibay Raeke
      Right Round, 2018
      acrylic on wood panel
      14 x 11 inches
    • Michelle Carla Handel Los Angeles artist painter Rema Hort Mann Foundation emerging artist grant sculptor between object and image oil painting with ceramic
      Michelle Carla Handel
      Soft Recall, 2021
      oil and ceramic on canvas
      8 x 8 inches
    • Michelle Carla Handel Los Angeles artist painter Rema Hort Mann Foundation emerging artist grant sculptor between object and image oil painting with glazed ceramic, string, grid, tip
      Michelle Carla Handel
      Tip, 2021
      oil and glazed ceramic on canvas
      11 x 14 inches
    • Sacha Ingber drawing between object and image, skowhegan sharpe walentas New York artist sculptor
      Sacha Ingber
      Sunset Park, 2016
      gouache, ink, and colored pencil on paper
      11 x 17 inches
    • Andrea Clark Creepin, 2018, 2021 porcelain, stoneware 20 ½ x 20 x 3 ¼ inches
      Andrea Clark
      Creepin, 2018, 2021
      porcelain, stoneware
      20 ½ x 20 x 3 ¼ inches
    • Mariana Garibay Raeke watercolor painting abstract Yale Art Mexican artist New York City
      Mariana Garibay Raeke
      Holding Light (iv), 2020
      watercolor and sumi ink on Arches paper
      16 x 12 inches
    • Sacha Ingber ceramic sculpture ceramic found objects wall between object and image, skowhegan sharpe walentas New York artist sculptor room swim
      Sacha Ingber
      Vista with dry air, 2018
      glazed earthenware, epoxy clay, acrylic paint
      18 x 10 x 11 ¼ inches
    • Mariana Garibay Raeke sculpture plaster painting abstract Yale Art Mexican artist New York City
      Mariana Garibay Raeke
      Solaris, 2019
      paper pulp, plaster, acrylic, pigment
      11 ½ x 14 x 11 inches
    • Mariana Garibay Raeke sculpture plaster painting abstract Yale Art Mexican artist New York City
      Mariana Garibay Raeke
      BGM (Black/Green/Magenta), 2016
      paper, plaster, pigment
      15 ½ x 10 x 1 ¼ inches
    • Sacha Ingber drawing between object and image, skowhegan sharpe walentas New York artist sculptor
      Sacha Ingber
      Untitled, 2016
      gouache, ink, and colored pencil on paper
      11 x 17 inches
    • Michelle Carla Handel Los Angeles artist painter Rema Hort Mann Foundation emerging artist grant sculptor between object and image oil painting with ceramic, grid
      Michelle Carla Handel
      Squeeze, 2021
      oil and ceramic on canvas
      14 x 11 inches
    • Mariana Garibay Raeke wall sculpture plaster printmaking painting abstract Yale Art Mexican artist New York City
      Mariana Garibay Raeke
      Halite, 2017
      plaster, pigment
      14 x 12 x 1 inches
    • Michelle Carla Handel Los Angeles artist painter Rema Hort Mann Foundation emerging artist grant sculptor between object and image oil painting with glazed ceramic, string, grid, selife
      Michelle Carla Handel
      A More Perfect Me, 2021
      oil, string, and glazed ceramic on canvas
      11 x 20 inches
    • Andrea Clark porcelain ceramics porcelain painting thin layers drawing ceramic frame Between object and image marcia wood gallery viewing room
      Andrea Clark
      Warren's Pond (night, Winter), 2021
      porcelain
      3 1/2 x 2 5/8 x 1/16 inches
    Close
  • Ann Agee

    Ann Agee (b. 1959, Philadelphia) is a contemporary artist living and working in Brooklyn. Working primarily in ceramic she has increasingly become known for her installations, appropriating traditional decoration motifs and playing with the organization of domestic interiors. Her sculptural works explore subjects both ornamental and narrative touching upon themes personal and social in domestic life, child rearing, and labor. She combines the sensibilities of highly ornate decorative objects with quotidian household interiors to make a signature style that is profoundly complex, laced with play and humor. Agee attended Cooper Union School of Art for her BFA (’81) and received her MFA from Yale University in 1986.

     

    Agee created major installations at the Brooklyn Museum of Art, NY (2012) and at the Philadelphia Museum of Art, PA, (2010). Her work has been seen in prominent clay exhibitions Dirt on Delight, Institute of Contemporary Art, PA (traveled to the Walker Art Center, MN); and Conversations in Clay, Katonah Art Museum, NY. She was a recipient of the John Simon Guggenheim Fellowship (2011), The Louis Comfort Tiffany Foundation Award (1997) and a National Endowment for the Arts Fellowship (1989, 1992), among others. Works by Agee can be found in the collections of: The Brooklyn Museum of Art, NY; The Philadelphia Museum of Art, PA; The RISD Art Museum, RI; The Los Angeles County Museum of Art, CA; The Henry Art Museum in Seattle, WA; The Kohler Art Center in Sheboygan, WI; The Museum of Contemporary Art in Miami, FL.

     

    Andrea Clark

    Andrea Clark (b. 1990) is an artist currently living in southeast Georgia, USA.  She has completed residencies at Greenwich House Pottery (2015), Anderson Ranch Arts Center (2018), and the Hambidge Center for Creative Arts (2018).  She is a recipient of the Windgate Emerging Artist Grant.  Recent exhibitions include "Don't Dream It's Over" at ESXLA.  

     

     

    Michelle Carla Handel

    Michelle Carla Handel is Los-Angeles based artist. Their work has been featured in several exhibitions at key galleries and museums, including the Wignall Museum, the Torrance Art Museum, Durden and Ray, and Tiger Strikes Asteroid, Los Angeles. She has completed residencies at Anderson Ranch Art Center (2018) and the Vermont Studio Center (2018) and is a recipient of the 2020 Rema Hort Mann Emerging Artist Grant.

     

    Sacha Ingber

    Sacha Ingber (born 1987 in Rio de Janeiro, Brazil) lives and works in New York. She received her MFA in Sculpture from Virginia Commonwealth University in 2013. Ingber has been an artist-in-residence at the Skowhegan School of Painting and Sculpture (2013) and the Vermont Studio Center (2010). She is a 2018/19 Sharpe Walentas Studio Program awardee. Recent exhibitions were held at Brennan & Griffin, NY, Hometown Gallery, NY, Reynolds Gallery, VA, Vox Populi, PA, DaSilva Gallery in New Haven, CT, Kunstraum, NY, Coustof Waxman, NY, and PEANA projects in Monterrey, MX. Ingber’s first Chicago solo exhibition was held at Triumph Gallery in spring 2018. She is currently included in the group show “Where the threads are worn” at Casey Kaplan Gallery, NYC through April 17. 

     

     

    Mariana Garibay Raeke

    Mariana Garibay Raeke is a multidisciplinary artist working with a range of media that includes installation, drawing, painting, sculpture, and photography. Her work examines ideas of transformation through material explorations guided by process and place. She is interested in making works that capture the ephemeral nature of experience and question our understanding of images, objects, and bodies.

     

    Born in Mexico and based in Brooklyn, Garibay Raeke holds a BFA from the California College of the Arts and an MFA from Yale University School of Art. Her recent solo exhibitions include "To the Center and Back", La Señora, Oaxaca; “closing the space between us”, The Chimney, Brooklyn; and “Every Number is One”, Transmitter, Brooklyn. She has been an artist-in-residence at the Museum of Arts and Design, NY; Anderson Ranch Arts Center, CO; and Pocoapoco, Mexico. She is currently included in the group show “Where the threads are worn” at Casey Kaplan Gallery, NYC through April 17. 

     

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