Works
  • George Long, into the wind ,upstream samething, 2024
    George Long
    into the wind ,upstream samething, 2024
    mixed media painting on Arches paper
    70 x 72 inches
  • George Long, namesake, 2024
    George Long
    namesake, 2024
    mixed media painting on Arches paper
    51.5 x 70 inches
  • George Long, structure of pining , 2024
    George Long
    structure of pining , 2024
    mixed media painting on Arches paper
    42 x 70 inches
  • George Long, there was that other thing, 2024
    George Long
    there was that other thing, 2024
    mixed media painting on Arches paper
    70 x 72 inches
  • George Long, what did you inherit, 2024
    George Long
    what did you inherit, 2024
    ceramic
    14 x 10 x 7 inches
  • George Long, what does longing teach, 2024
    George Long
    what does longing teach, 2024
    ceramic
    23 x 12 x 10 inches
  • George Long, what is misssing, 2024
    George Long
    what is misssing, 2024
    ceramic
    23 x 20 x 7 inches
  • George Long, dibs, 2024
    George Long
    dibs, 2024
    mixed media painting on Arches paper
    42 x 71 inches
  • George Long, Complex, 2022
    George Long
    Complex, 2022
    painted wood
    dimensions variable
  • George Long, Karst, 2022
    George Long
    Karst, 2022
    ceramics
    dimensions variable
  • George Long, Maypop, 2020
    George Long
    Maypop, 2020
    painted dibond
    24 x 40.5 inches
  • George Long, Springhouse, 2022
    George Long
    Springhouse, 2022
    painted dibond
  • George Long, Terrace , 2021
    George Long
    Terrace , 2021
    painted wood
    58 x 12 x 26 inches
  • George Long, June Bug, 2021
    George Long
    June Bug, 2021
    painted dibond
    51 x 21 inches
  • George Long, Amma, 2020
    George Long
    Amma, 2020
    mixed media on wood
    42 x 111 inches
  • George Long, A Light Finger Liar, 2020
    George Long
    A Light Finger Liar, 2020
    mixed media on paper
    22 x 30 inches
  • George Long, Rubber Bullies, 2020
    George Long
    Rubber Bullies, 2020
    mixed media on paper
    52.25 x 66.5 inches
  • George Long, Bungled and Botched, 2018
    George Long
    Bungled and Botched, 2018
    ink, graphite on paper
    48 x 45 inches
  • George Long, Cake, 2018
    George Long
    Cake, 2018
    ink on dibond panel
    29 x 52 inches
  • George Long, Candy corn and caution cones, 2018
    George Long
    Candy corn and caution cones, 2018
    ink on dibond panel
    28 x 21 inches
  • George Long, Fruit Bowl, 2018
    George Long
    Fruit Bowl, 2018
    acrylic on dibond panel
    162 x 93 inches
  • George Long, lifeboats, 2018
    George Long
    lifeboats, 2018
    acrylic, dibond on panel
    33 x 61 inches
  • George Long, Promises, 2018
    George Long
    Promises, 2018
    acrylic on mirrored dibond panel
    36 x 61 in
  • George Long, Speaker Stack, 2018
    George Long
    Speaker Stack, 2018
    ink and spray paint on dibond panel
    111 x 80 inches
  • George Long, Tableland, 2018
    George Long
    Tableland, 2018
    ink, graphite on paper
    23.5 x 37 inches
  • George Long, Timeline, 2018
    George Long
    Timeline, 2018
    ink, graphite on paper
    32.5 x 51.5 inches
  • George Long, Tinge Atlas, 2018
    George Long
    Tinge Atlas, 2018
    ink, graphite on paper
    22 x 57.5 inches
  • George Long, Accumulation, 2022
    George Long
    Accumulation, 2022
    ceramic
    dimensions variable
Biography

George Long received his BFA from the Atlanta College of Art in 1995 and currently lives and works in Atlanta. His first solo exhibition was at Marcia Wood Gallery in Atlanta in 2004, where he introduced the widely acclaimed 8 x 8 work. Long’s solo and 2 person exhibitions include Flux Projects, Atlanta, the Zuckerman Museum, Kennesaw State University, Space Eight, St Augustine, FL, Gallery One Twelve, Atlanta, Tempus Projects, St. Augustine, FL,Cosms, Dashboard Coop, Atlanta, Columbus Museum, Columbus, GA, the University of West Georgia, Carrolton, GA, the Madison County Art Council, Marshall N.C. among others. Group exhibitions have included the International Kunstler Kolonie Exhibition,Nuremburg, (and residency), The Atlanta Contemporary Art Center (2007 Biennial and 2012 "Day Job: Georgia), the Jacksonville Museum of Modern Art, Jacksonville, FL, the Zuckerman Museum, Kennesaw, GA, Art on the Beltline, Atlanta, GA, Paco Sas Artes, Sao Paulo, Brazil, Tempus Projects, Tampa, FL, Dalton Gallery, Agnes Scott College, Georgia, and Brenau University, Georgia. In 2010 he received an NEA grant for public sculpture. Sculpture exhibitions include theAnn Marie Sculpture Center in Solomon Island, Maryland, North River Park, Charleston, SC, and the Chattahooche Nature Center, Roswell, GA, Art in Freedom Park, Atlanta, and Bonaroo, Manchester, Ten. Long has collaborated with Spelman University choreographer T. Lang, New Orleans Airlift, Georgia Tech, Lucky Penny, I Fucking LXXX You Too and  Sunday Southern Arts Revival.

 

George Long’s current series Omnium Gatherum originated in the 8 x 8 body of work introduced at Marcia Wood Gallery in 2004 in his first solo exhibition. The 8x8x8 inch cubes presented scraps of memories - ancestral farm tools, doilies, recipes, and current mundane yet metaphoric stuff of daily life and popular culture. Numbering in the hundreds the blocks of found wood and a broad range of mixed media, created a patchwork of free association. In his artistic career Long has created and been involved in a variety of personal and collaborative work including two-dimensional art, video, film, animation, sculpture, dance, theater sets and public art.

 

The through line of all Long’s work, beginning with 8 x 8, has been an exploration of the import and imperfection of memory for the human experience of time. In the direct continuity of iterations as seen in 8x8 to Piles to Sorts to Omnium Gatherum, and as the touchstone for all his projects and work - from the delicately nuanced drawings of Mimic, to action-packed delightful public animations - we see layers of information accumulated and degraded as imagery fades, shifts, repeats, overlaps, separates and blends. As Sarah Higgins notes in her essay A ritual of making (non)sense of things: George Long’s “Sorts” for Flux Projects, 2017: “The philosopher Henri Bergson described the perception of the present moment as an act of instant remembering. Therefore, memory of the past is a process of reconstructing a new, but degraded, version of what was only ever remembered in the first place. In this philosophy of memory, everything we can recall is a copy of a copy of a copy. If we can’t truly remember, then the perhaps the things we keep represent our hope for a more reliable vessel. Long seems to grapple with that possibility in Sorts. He seems to want to let the viewers, ahem, sort it out for themselves.”

 

The Omnium Gatherum works on paper and wood in the exhibition, 3 Sided Square, now shift from narrative imagery to that of enigmatic piles of geometric shapes. Omnium Gatherum is defined as a “miscellaneous collection (as of things or persons)”. Colorful blocks of circles within squares are collaged in a charming, playful, yet somewhat tenuous, pyramid-shaped pile that is loosely foregrounded against a notion of landscape - a weathered palimpsest of atmosphere the place- ness or nowhereness of which is open to interpretation. Employing the Japanese spiritual art of ensõ, Long draws each unique circle in one fluid stroke. The ensõ symbolizes the universe and the beginning and end of all things. Through practicing the meditation of ensõ in the studio, George Long continues his contemplation of memory and time in his work.

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Exhibitions
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