Works
  • Katherine Taylor, Terrarium Still Life, 2025
    Katherine Taylor
    Terrarium Still Life, 2025
    acrylic on canvas
    24 x 30 inches
  • Katherine Taylor, Garden Wall, 2025
    Katherine Taylor
    Garden Wall, 2025
    acrylic on wood
    12 x 9 inches
  • Katherine Taylor, Plume, 2025
    Katherine Taylor
    Plume, 2025
    acrylic on wood
    12 x 9 inches
  • Katherine Taylor, Magnolia Haze, 2025
    Katherine Taylor
    Magnolia Haze, 2025
    acrylic on canvas
    72 x 60 inches
  • Katherine Taylor, Halcyon, 2025
    Katherine Taylor
    Halcyon, 2025
    acrylic on canvas
    48 x 72 inches
  • Katherine Taylor, Aspidistra, 2025
    Katherine Taylor
    Aspidistra, 2025
    acrylic on canvas
    30 x 24
    inches
  • Katherine Taylor, Bottle Rocket, 2025
    Katherine Taylor
    Bottle Rocket, 2025
    acrylic on canvas
    18 x 24 inches
  • Katherine Taylor, Gas Line, 2025
    Katherine Taylor
    Gas Line, 2025
    acrylic on canvas panel
    16 x 20 inches
  • Katherine Taylor, Creek, 2025
    Katherine Taylor
    Creek, 2025
    acrylic on wood
    12 x 9 inches
  • Katherine Taylor, Point Palm, 2025
    Katherine Taylor
    Point Palm, 2025
    acrylic on wood
    9 x 12 inches
  • Katherine Taylor, Granite Step, 2025
    Katherine Taylor
    Granite Step, 2025
    acrylic on wood
    12 x 9 inches
  • Katherine Taylor, Rock Ledge, 2025
    Katherine Taylor
    Rock Ledge, 2025
    acrylic on wood
    12 x 9 inches
  • Katherine Taylor, Hedge, 2025
    Katherine Taylor
    Hedge, 2025
    acrylic on canvas
    36 x 48 inches
  • Katherine Taylor, Water Garden, 2025
    Katherine Taylor
    Water Garden, 2025
    acrylic on canvas
    48 x 72 inches
  • Katherine Taylor, Tree Line, 2025
    Katherine Taylor
    Tree Line, 2025
    acrylic on wood
    12 x 9 inches
  • Katherine Taylor, Yellow Cloud, 2025
    Katherine Taylor
    Yellow Cloud, 2025
    acrylic on canvas
    36 x 48 inches
  • Katherine Taylor, Glass Brick I
    Katherine Taylor
    Glass Brick I
    gouache on paper
    7 x 5 inches
  • Katherine Taylor, Retention Plane I
    Katherine Taylor
    Retention Plane I
    gouache on paper
    5 x 7 inches
  • Katherine Taylor, Storm Drain I
    Katherine Taylor
    Storm Drain I
    gouache on paper
    7 x 5 inches
  • Katherine Taylor, Sky Garden I
    Katherine Taylor
    Sky Garden I
    gouache on paper
    7 x 5 inches
  • Katherine Taylor, Sky Garden II
    Katherine Taylor
    Sky Garden II
    gouache on paper
    7 x 5 inches
  • Katherine Taylor, Barrier Island, 2015
    Katherine Taylor
    Barrier Island, 2015
    oil on canvas
    48 x 36 inches
  • Katherine Taylor, Guard Rail Sunset, 2015
    Katherine Taylor
    Guard Rail Sunset, 2015
    oil on canvas
    16 x 20 inches
  • Katherine Taylor, Roadway, 2015
    Katherine Taylor
    Roadway, 2015
    oil on canvas
    20 x 16 inches
  • Katherine Taylor, Guardrail 1, 2014
    Katherine Taylor
    Guardrail 1, 2014
    oil on canvas
    16 x 20 inches
  • Katherine Taylor, Freeboard, 2013
    Katherine Taylor
    Freeboard, 2013
    oil and canvas
    50 x 44 inches
  • Katherine Taylor, Gulf View Exit Interchange, 2013
    Katherine Taylor
    Gulf View Exit Interchange, 2013
    oil on canvas
    72 x 108 inches
  • Katherine Taylor, Park Median, 2013
    Katherine Taylor
    Park Median, 2013
    oil on canvas
    60 x 48 inches
  • Katherine Taylor, Venetian Pool-VI, 2013
    Katherine Taylor
    Venetian Pool-VI, 2013
    watercolor on paper
    6 x 4 inches
  • Katherine Taylor, Projected Pool, 2012
    Katherine Taylor
    Projected Pool, 2012
    oil on linen
    28 x 32 inches
  • Katherine Taylor, Waterway, 2012
    Katherine Taylor
    Waterway, 2012
    oil on linen
    32 x 28 inches
  • Katherine Taylor, Causeway, 2011
    Katherine Taylor
    Causeway, 2011
    oil on linen
    66 x 48 inches
  • Katherine Taylor, Encroachment, 2011
    Katherine Taylor
    Encroachment, 2011
    oil on linen
    48 x 66 inches
  • Katherine Taylor, Spillway, 2011
    Katherine Taylor
    Spillway, 2011
    oil on canvas
    6 x 8 inches
  • Katherine Taylor, Broken Culvert, 2010
    Katherine Taylor
    Broken Culvert, 2010
    oil on linen
    9 x 12 inches
  • Katherine Taylor, Parallax View Palm, 2009
    Katherine Taylor
    Parallax View Palm, 2009
    charcoal, ink, watercolor on paper
    37 x 44 inches
  • Katherine Taylor, Parallax View Silt Fence, 2009
    Katherine Taylor
    Parallax View Silt Fence, 2009
    charcoal, ink, watercolor on paper
    38 x 44 inches
  • Katherine Taylor, Wake, 2008
    Katherine Taylor
    Wake, 2008
    charcoal, ink on paper
    45 x 40 inches
  • Katherine Taylor, Bathtub, 2006
    Katherine Taylor
    Bathtub, 2006
    oil on canvas
    36 x 48 inches
  • Katherine Taylor, Palm Trees, 2006
    Katherine Taylor
    Palm Trees, 2006
    charcoal and ink on paper
    42 x 43 inches
  • Katherine Taylor, Aftermath - Camille 1969 - PassRoad, 2004
    Katherine Taylor
    Aftermath - Camille 1969 - PassRoad, 2004
    oil on paper
    44.5 x 77 inches
  • Katherine Taylor, Aftermath - Camille 1969 - Shrimp Boat, 2004
    Katherine Taylor
    Aftermath - Camille 1969 - Shrimp Boat, 2004
    oil on paper
    75 x 45.5 inches
Biography

A central motif in Taylor’s work is the landscape—shaped by both human intervention and natural forces. Her paintings explore the inevitability of change, whether sudden or imperceptibly slow, through a lens that is both poetic and precise. A master of nuance, Taylor creates mysterious, frequently ominous, and strangely beautiful compositions in her signature, subtly complex palette of grays, greens. Each work is as technically accomplished as it is emotionally resonant.

Past series have evoked the dystopian shadows of the urban landscape, the devastation left by hurricanes and floods, the distant and deceptively alluring lights reflected on the bay of her hometown of Biloxi in the exhibition Boomtown, blurred vistas glimpsed through car windows, and melancholy swimming pools filled with runoff and rainwater.

In Terrarium, Taylor turns her gaze to cultivated spaces—landscapes shaped by human intention. The presence of man is revealed only through his impact: the hand of the gardener. These are parks, gardens, and pockets of green created for solace and pleasure, where nature is tended, contained, and held momentarily still. With softly luminous tones and atmospheric depth, Taylor blends botanical detail with painterly abstraction, evoking a sense of quiet suspension. Her compositions reflect segments of aerial perspective with no horizon—images that pause and reflect movement, where water, ground, and sky merge in puzzling shallow depths.

Echoing the tradition of 18th-century landscape painting, Taylor reimagines the garden as both a refuge and a reflection. These paintings, in her words, are “portraits of nature suspended in the colors of atmosphere”—fragments of authentic life preserved within the fragile boundaries of human care.

Katherine Taylor was born in Biloxi, MS. Three times featured in New American Paintings, her works are the topic for review in numerous books, catalogs and publications including Art Papers, The Boston Globe and recently published Painted Landscapes: Contemporary Views. Taylor's work has been exhibited in the Quebec City Biennale; Diverseworks, Houston TX; The Albany Museum of Art, Albany, GA; Marietta Cobb Museum of Art; and in Atlanta, at Atlanta Contemporary Art Center; the Museum of Contemporary Art of Georgia and the High Museum of Art. Taylor is a Working Artist Project fellow with  the Museum of Contemporary Art of Georgia. She  received a  Vermont Studio Fellowship in 2013, and a VSC Zeta Orionis Fellowship in 2014.  Taylor lives and works in Atlanta, GA. 

 
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